CAIN’T YOU EVER JUST LET ME GO SOMEWHERE ALONG…

“Where ya going Word?”

“What’s it to ya Well?” Wordy eyed his friend spiciously over his shovel plate of cold beans.

Well smiled.

“Might wanna come along,” Well said right neighborly.

“Gol dangit Well,” Wordy said slapping his sides so that dust swirled up offin his breeches like sawdust in a grist mill. Some of the dust settled back in his beans but Wordy didn’t notice.

“Cain’t you ever just let me go somewhere along?!”

Well was patiently quiet a moment after Wordy’s antipenchant display. As he usually was when Word went off on one of his ineffectual tangential tirades. Then Well threw his head back and finished his drink before leaning forward and spitting out the swill-mash that had settled at the bottom of his glass. After that he straightened.

“So does that mean I’m coming witcha, or not?” he finally asked.

Wordy looked at Well as sasperated as a flied walleyed rout, and then shook his head slowly as if he had just watched a hell-bent bull pull loose from his plow.

“Oh git your damn saddle Well… I ain’t totin you on my back.”

from my Western novel, The Letter Men

STUMP

Wordy jumped like he’d been bit by a cottonmouth.

“Hell Well! Whadidcha do that for?”

Well Peden stopped in his tracks, and looked at Wordy.

“Do what Word?”

Wordy stood up and brushed off some of the beer that he had tipped over when Well startled him. But most of it had flooded the top of the small table or had already sunk into his breeches.

“Come stump around that corner like that?” Wordy said loudly, still annoyed, and though he had righted his glass much of the beer had soaked his pants. “Looks like I pissed my britches.”

Well smiled genuinely a moment and then laughed out loud.

“It does at that. But what ya mean ‘stump?’ You mean ‘stomp?’”

“I mean exactly what I said I mean ya mull-berry dumb-lump. You was stompin. But you also come a sneakin. You stump up on me. What are ya, deaf? Stompin and sneaking at the same time. Stump. And when ya did that you also stumped me and then I spilled my drink! Dang it!”

Well thought for a second, then laughed again.

“Don’t ya mean ‘Jomp’ then?”

“What?” Wordy said confused.

“Well, if I come a sneakin and a stompin and that made you jump, then don’tcha mean ya ‘jomped?’Ain’t ya keepin up with yerself? Stomp and jump – jomped. Ya jomped Wordy. Ya got stumped, and then you jomped. Simple as that.”

Wordy was speechless a moment and seemed annoyed again, momentarily anyway. But then a broad, toothy yellowed grin spread across his face and he said with real satisfaction,

“‘Jomp,’ as if sounding it out for the first time. “Say, I’m gonna write that down!”

Well looked at Wordy, then around the room. As if peering about for something. Wordy followed Well’s gaze ‘til it lit on him again.

“Whatcha gonna write it down with Wordy?”

Suddenly Wordy threw his hands up in the air exasperated.

“Hell Well!” he exclaimed. “Why do I have to think of everthang?”

Well laughed again.

“Beats me Wordy, but you’re fair to midlin at it.”

Wordy shook his head at Well. Well was his best friend but in Wordy’s opinion he sure was a lotta hard living.

“Whadda you want anyhow Well?” Wordy asked him suspiciously.

“’Bout what?” Well asked him sincerely.

Wordy threw his hands up in the air again and shook both fists at Well.

“’Bout why you stump me in the first place?!” Wordy shouted.

“Oh that,” Well said off-handedly. “I just wanted to see if maybe you wanted to get a beer.”

Wordy fumed and frowned at Well a second, then reached in his wet pants pocket and got two half dollars. He walked over to Well and pushed em both into his right hand.

“Yes, I wanna get a damn beer, and I had one til you come along and stump me!”

Then he kept walking. As he was leaving Well said,

“Whur ya goin Word?”

“Out in the sun ‘til my britches dry.” Wordy replied, as if the answer had been self-evident.

“Well, what do you want me to do with the coins?” Well asked.

Wordy stopped and looked at Well.

Hell Well get us two new beers, and this time you tell that no count barkeep I want some decent headins on my tap. If I’m buying his swell he’s gonna give us decent headins this time!”

Then Wordy turned and kept walking.

Well looked at the coins. He thought that maybe Wordy had meant to say swill, then decided that maybe he had meant the beer was made with local well water. Beer-swill made of stagnant well water. Swell. Tasted like it anyway Well thought. But after briefly musing about that Well said,

“Yeah, I’ll jomp right on that Wordy.”

But Wordy had already hit the saloon doors and was stump-out by then, moving for mid-daylight to cool-off and dry out for a spell…

From The Letter(ed) Men (my Western novel)

(Post script: I keep a little notebook and a file for my wife’s “Wordisms.” For Wordy is based on my wife. And to be honest Wordy is one of my favorite characters to write. And write about, but especially his dialogue and “Wordisms.” He appears as a seemingly secondary or even minor character in my Western, the Lettered Men. But he’s not really a minor character as will be seen in the book.

 He’s seemingly a background character who actually ties together all the other major characters. In time anyway.

But as I said Wordy is in many ways, including the way he behaves and talks, based upon my wife.

Tonight I came walking around a corner to the bathroom after we got back from Anderson and my wife jumped when she saw me. I asked her why she jumped and in reply she said,

“Because you stump around that corner!”

I immediately knew it was a new Wordism and asked if she meant to say “stomp(ed)?”

She said, “No, you stumped. And I don’t mean a tree stump.” Then she explained what she meant by saying stump.

I laughed and said, “If my Westerns become as popular as I think they will then I’m gonna make you famous baby became people are gonna be reading your ‘Wordisms’ five hundred years from now!”

So, being immediately inspired I went and wrote this little scene with Wordy and Well Peden. In this particular scene I’m Well Peden, of course. Kind of out of step for me, to be the minor character in my own scene/story/novel but it fit so perfectly with this scene that I’m well pleased I wrote it that way.

Hope you enjoyed it, and found it funny [I had a ball writing it], and Good Night… and thanks for reading and your support of my writings and Work.)

THE WORDY WAY – TUESDAY’S TALE

Last night while in bed I decided to write up some new lines for my Western, the Lettered Men.

I’ll do that sometimes right before I go to bed. Got some good stuff done but had to rework some of em this morning. Many of these lines are spoken by Jerimiah Jereds, also known as “Wordy” (the only name his friends call him) because he will either invent words (neologisms) or will twist around old phrases and common sayings in new ways. Wordy sometimes acts as the comic-relief of the novel, which is pretty rough in parts, and sometimes acts as the de-facto Bard of the novel, being a sort of frontier’s poet and cowboy wordsmith.

Now not all of these snippets are by Wordy. But many are.

Anywho I gave my notes to my wife and daughter this morning (before the final rewrites) so that they could look over em and give me their opinion. I heard a lot of loud laughing coming from the kitchen table downstairs as I worked from my office so I reckon I did something right. They both seemed to like what they read.

Also I should not neglect that my mother came down to the house yesterday after lunch and she also reminded me of many of the old sayings and euphemisms of my grandparents and great-grandparents, which were in many ways the inspiration for Wordy.

So here are the final write ups for the Wordy Way. All from my novel The Lettered Men.

_______________________________________________________

“He’d howl like an old hound dog if ya hung him with a new rope.”

_______________________________________________________

“Ain’t really worth mentioning Word.”

“Oh yeah?” said Wordy. “Well half of not really worth mentioning still beats ever bit a nothing all day long. Specially in the middle a nowhere. So let’s just work around with what we got awhile and see where it leads us. Maybe tomorrow it still won’t be worth mentioning, but maybe in a week or two it will be. When we’re sitting our asses by the fire back home.”

________________________________________________________

“You can’t get there from here boys. But if we can just get over to there I bet we can.”

________________________________________________________

“He smells like he smothered a buzzard and kept it in his pants for a keepsake.”

_________________________________________________________

All the boys laughed when they saw him come out of the barbers. All except Wordy. He just stared at Beau for awhile and then he stood up and circled him like a corvus round a scarecrow. “Hmmm-mmm,” he kept humming to himself as he circled.

“Well now, that’s a two bit shave and a haircut iffin I ever seen one,” he finally said. “Way I see it though she still owes ya a dollar in change just to make it even.”

“Dammit!” Beau said testily slapping his hat against his thigh. Dust and hair swirled everywhere. “I told her it didn’t look right to me.”

“Be alright Beau,” Wordy said. “You’re both new at this. She ain’t much of a judge a jug-heads and you ain’t much of a judge a women.”

“Oh, and you is you Wordy sumbitch!” Beau practically yelled.

“I didn’t say that,” said Wordy. “I just seen enough scalpings in my day to know the difference between a brave and a squaw cut.”

The boys all laughed again.

_________________________________________________________

“That whore’s dumber than a plow mule, sure nuff, but she’s still twice as easy to ride. So if you’re gonna plow with her then just cut the reins and let her wander. Save ya both a lotta trouble.”

_________________________________________________________

“He drunk up the sea and spit out Achilles.” (Wordy describing a cowboy that rode into town, got drunk, and started shooting and fighting.)

_________________________________________________________

“He’s a one mare man. True enough. But he’ll go for any stallion what ain’t tied down.”

_________________________________________________________

“Book learning ruined him for anything worth knowin. I wouldn’t trust him none.”

_________________________________________________________

“The mare’s the better horse. He ain’t worth bad oats and barn rats.”

_________________________________________________________

“There ain’t another man like him in the whole lot. Thank God. Can you imagine a whole herd a dem sumbitches?”

_________________________________________________________

“She’s got a face like a sty-sow. But he’s a pot-bellied pig so who cares who slops who?”

_________________________________________________________

“Ride her at your own peril kid. But don’t dismount till ya broke her.”

_________________________________________________________

“Why, do you think she’ll foal on me?” he asked.

“Probably not,” said Wordy, “but she’s so rough you might.”

__________________________________________________________

“Boy’s so slow that he’d hav’ta ride as hard as he could for a month just ta reach the county line.”

__________________________________________________________

“Man knifed three Comanches and a Texas Ranger,” Sole said, “and lived to tell it. So you might just wanna shoot him. In the head. From behind. While he’s sleepin.”

__________________________________________________________

“Maybe he’s just shot so many men by now that he’s plum forgot how to miss. Ever think a that?”

__________________________________________________________

“Man smells like a Mississippi pole-cat, but he tracks like an Arkansas wild dog. Just make sure to keep him downwind and you’ll run em all to ground.”

__________________________________________________________

“He’s slicker than a cold-creek water snake, but not near as warm-blooded. So keep him ahead of ya, but always in sight. Safe plays are always the safest.”

__________________________________________________________

“Sir, your coffee tastes like chickpeas and boll-weevils. Without the chickpeas.”

__________________________________________________________

“Damn Word! It smells like you shit a dead possum and then lit it on fire with pine tar!”

“Yeah,” Wordy said. “I ain’t feeling too well right now.”

“Fine,” Mason said. “But did ya have to spread it around to everybody else like that? You made the local skunks puke.”

Hart Thomas snorted, spit out his chaw, and then laughed out loud.

“Hell Hart,” Mason said, “you was the skunk I was referring to!”

__________________________________________________________

“He’s cotton-brained and toe-headed. You walk a mile in his moccasins and you’ll end up Boot-hilled.”

__________________________________________________________

“Oh, he went to war alright. He just never met a battle worth sitting through or a man his equal at a foot chase.”

__________________________________________________________

“Ah hell Bill, iffin you gave him a new bull and three pregnant cows then in five years time he’d still be a sheep farmer.”

 

Hope you enjoyed em…

 

PUBLISHING YOUR BOOK – BOOKENDS

Book Publishing Secrets with S.W. O’Connell, Author of ‘The Cavalier Spy’

Name: S. W. O’Connell

Book Title: The Cavalier Spy

Genre: historical fiction

Publisher: Twilight Times Books

Thank you for your time in answering our questions about getting published.  Let’s begin by having you explain to us why you decided to become an author and pen this book?

SW: I had once published a magazine, called Living History. With each issue I wrote a publisher’s letter and often “ghost” wrote a few articles. I found over time that I preferred the writing to the publishing. After the magazine went out of circulation, I decided that I would get to the writing I liked via my favorite reading genre – the historical novel. I grew up reading Thomas B. Costain, James A. Michener, Leon Uris, Wilbur Smith, and C.S. Forrester. Later on, I read many of Bernard Cornwell’s books. I learned a lot about history from those writers. Yet the stories entertained.

Is this your first book?

SW: No, The Cavalier Spy is the second in the Revolutionary War action and espionage series I call Yankee Doodle Spies. I know the name is a bit “kitschy,” but I like it. I plan on eventually writing eight books in the series.

With this particular book, how did you publish – traditional, small press, Indie, etc. – and why did you choose this method?

SW: I went with a small trade publisher, a small press called Twilight Times Books. A friend, the late Lee McCaslin, referred me to Twilight Times Books. He was a published author himself and was looking for a new publisher for his second non-fiction book. When he learned Twilight Times Books published mainly fiction, he referred me and I was accepted and given a contract for the first three books in the Yankee Doodle Spies series.

Can you tell us a little about your publishing journey?  The pros and cons?

SW: Well, I did all the usual things. After my first manuscript was done, I went on line to search for an agent. I also met with Dave Meadows and Michael O. Varhola, both published authors. Dave has written several naval espionage novels. Michael writes popular history, travel and ghost haunting books. They provided me lots of insight and encouragement. Lee McCaslkin did as well. But most of our dealings were by phone and email. I actually wrote a chapter in his book, Secrets of the Cold War. Then began the long and frustrating search for a literary agent. Mostly by luck (or unluck) I found two and had contracts with them. They provided feedback on my writing but it was a bit of drag and die. I would get some generalized comments. After I would address them and resubmit, I’d get more (different) generalized comments. It was clear different folks were reading these, as occasionally the comments clashed. In any case, I never was submitted to a publisher. In one case I was dropped. In the other, I did the dropping. These were not paid agents but fairly renowned New York agencies. I’d rate the experience as extremely frustrating, not to mention nerve grinding, but I did learn from it.

What lessons do you feel you learned about your particular publishing journey and about the publishing industry as a whole?

SW: The most important thing I learned was to park my ego at the door. When you are writing, you have complete control of the world you are presenting. But once you get into the publishing phase, the situation sort of reverses. Editors and publishers now have a legitimate right to comment and suggest changing things. You have to trust them. And you have to let go of a part of the creative process. The author creates a work of literature for people to read. The editor and publisher have to turn it into a product for people to buy. The kind of fiction I write doesn’t really fit the cookie cutter mold.

Would you recommend this method of publishing to other authors?

SW: Yes, I would. I find the publisher accessible and well versed in all aspects of the business. And this publisher supports its writers.

What’s the best advice you can give to aspiring authors?

SW: I’ll say that there are a whole bunch of folks who will shut you down. For them, your work is a business decision.  This is especially true of some f the agencies. I’d say – find your style… your voice, and hone it. But don’t try to change it. I’d also say be very patient…. And keep writing!

ABOUT THE AUTHOR

S.W. O’Connell is the author of the Yankee Doodle Spies series of action and espionage novels set during the American Revolutionary War. The author is a retired Army officer with over twenty years of experience in a variety of intelligence-related assignments around the world. He is long time student of history and lover of the historical novel genre. So it was no surprise that he turned to that genre when he decided to write back in 2009. He lives in Virginia.

////////////////////////////////////

Title: The Cavalier Spy

Genre: Historical

Author: S. W. O’Connell

Websitewww.yankeedoodlespies.com

Publisher: Twilight Times Books

Purchase linkhttp://www.twilighttimesbooks.com/TheCavalierSpy_ch1.html

Amazon OmniLit 

About the Book:

1776: His army clinging to New York by a thread, a desperate General George Washington sends Lieutenant Jeremiah Creed behind British lines once more. But even the audacity of Creed and his band of spies cannot stop the British juggernaut from driving the Americans from New York, and chasing them across New Jersey in a blitzkrieg fashion. Realizing the imminent loss of one of the new nation’s most important states to the enemy, Washington sends Creed into the war-torn Hackensack Valley. His mission: recruit and train a gang of rogues to work behind British lines.

However, his mission takes a strange twist when the British high command plots to kidnap a senior American officer and a mysterious young woman comes between Creed and his plans. The British drive Washington’s army across the Delaware. The new nation faces its darkest moment. But Washington plans a surprise return led by young Creed, who must strike into hostile land so that Washington can rally his army for an audacious gamble that could win, or lose, the war.

“More than a great spy story… it is about leadership and courage in the face of adversity…The Cavalier Spy is the story of America’s first army and the few… those officers and soldiers who gave their all to a cause that was seemingly lost…”

~ Les Brownlee, former Acting Secretary of the Army and retired Army Colonel

“Secret meetings, skirmishes and scorching battles… The Cavalier Spy takes the reader through America’s darkest times and greatest triumphs thanks to its powerful array of fictional and historical characters… this book shows that courage, leadership and audacity are the key elements in war…”

~ F. William Smullen, Director of National Security Studies at Syracuse University’s Maxwell School and Author of Ways and Means for Managing UP

– See more at: http://publishingsecretsofauthors.blogspot.be/2015/09/book-publishing-secrets-with-sw.html#sthash.RvabPHmv.dpuf

THE SCALE OF YOUR WORK

Amazon Pays $450,000 A Year To This Self-Published Writer

Jay McGregor

CONTRIBUTOR

Opinions expressed by Forbes Contributors are their own.
The London Book Fair lands on an unusually sunny three days in the capital. The scorching rays – rarely seen at all, let alone in April in the UK – seem at odds with a closed-off indoor book fair. But that hasn’t stopped scores of page-turner enthusiasts scouring the giant exhibition centre’s main floor, looking for publishers to schmooze, books to buy and advice to receive.

It’s the advice from authors who’ve ‘made it’ that seems to resonate most with attendees. Seminars and workshops are scattered in between the stands – all packed with a baying audience that fire off seemingly endless questions. They’re all trying to piece together an escape route out of the doldrums of full-time work.

One man, Mark Dawson, has a queue of wannabe writers lining up to speak to him as we sit down for an interview. Dawson is one of the self-publishing success stories that Amazon likes to wheel out when journalists like myself come knocking. But Dawson’s success isn’t down to simply publishing his crime-thriller series and hoping for the best.

Dawson has become an entrepreneur. With the self-publishing platform, he had no choice. The tactics he employed to promote his series aren’t game-changing, or even particularly clever, but the scale in which he implemented them is what made the difference.

To date he has sold over 300,000 copies of his series about an assassin called John Milton. Dawson says he pocketed “ six figures” last year and he’s on course to make much more this year. And he’s got plans for bigger and better things for this series outside of print form.

BOOTIN UP LIKE A BOSS- TUESDAY’S TALE

This is the beginning of a short story about one of my detective characters. Well, he’s really a Deputy Sheriff acting as Sheriff while the real sheriff recuperates from a car crash as the result of a felon fleeing across county lines. This is my Tuesday’s Tale. I give you, Bootin Up Like a Boss.

BOOTIN UP LIKE A BOSS

“What are you doing?” she demanded.

He stopped tying his laces to look up at her.

“I’m bootin up like a boss,” he replied.

“What does that even mean?” she said, exasperated.

“It means, ‘I’m bootin up like a boss,’” he said evenly.

“But you are the boss!” she said loudly.

He went back to tying his laces.

“Funny how that works, ain’t it?” he said.

She paced around the room impatiently.

He finished lacing his boots tight and stood up slowly but gracefully and then he stomped both feet to see how they fit.

“Yeah, that’ll do…” he said out loud to nobody in particular.

She turned to look at him.

“Can we go now?” she pleaded.

He looked at her patiently and then walked to the coffee pot and poured himself a cup.

“When I’m good and ready. I ain’t really finished bootin up yet,” he said. “When I’m proper ready then I’ll let ya know.”

He sat down at his office desk and drank slowly from his cup of coffee. To himself and to all appearances he was alone in the room. Lost in his ruminations.

After five minutes or so he had completely drained his cup. She had tried to interrupt him several times during this interlude but he had silenced her with a single wave of his hand each time. Twice he had raised his hand an instant before she spoke, anticipating her attempts.

When his cup was empty he placed it before him on the old and weather-beaten desk, both palms cradling the still warm ceramic mug.

“Yep,” he said. “That was mighty gratifying.”

Then he stood, walked over to the high-rack and took off his field hat. He twirled it around in his hands a couple of times, running his finger along the brim as if testing it for something. Seeming to be fully satisfied with his investigations he finally placed the hat on his head, slightly askew, then took it back off, ran his fingers through his hair and settled it more evenly upon his head.

“I reckon that’ll work,” he said as if to himself.

Then he turned and looked at the woman as if seeing her for the first time.

“You ready to go now,” he asked, both casually and impatiently.

“What in the hell are you talking about!” she replied heatedly, her face reddening.

“I’m talking about doing my job,” he said as if her reaction puzzled him.

He brushed past her in a long legged stride and as stepped outside he said, “Lock up behind yerself. I ain’t yer housemaid ya know.”

He strolled out into the bright sunshine, looked around him a bit, and then crossed the street once he heard her hurrying up behind him.  That’s what bosses did…

(to be continued)