NOBODY WANTS TO READ YOUR SHIT (for free – correction, I Do)

Steven Pressfield is giving away a free download of his new book, Nobody Wants to Read Your Shit.
You should download a copy before the free offer expires. I really like and admire Pressfield’s work, both his historical fiction and his non-fiction.

The War of Art was superb. I added it to my personal library. Everyone should read it.

This will likely be another excellent tool for writers.

I can’t wait to read my download of this new book. I’ll start it this weekend. Afterwards I anticipate that I’ll add it to my personal library as well.

 

No strings attached.
No e-mail address required.

Brand new and FREE from Steven Pressfield

NOBODY WANTS TO READ YOUR SH*T

…picks up where The War of Art left off.

Nobody Wants to Read Your Shit - by Steven Pressfield

.EPUBDownload your free Nook/iTunes/Kobo e-book here!

.MOBIDownload your free Kindle compatible e-book here!

.PDFDownload your free
PDF e-book here!

We’re giving it away (for a limited time) because we want people to read it. Simple as that.

Want more information or a paperback? Click here.

Thanks from Steve P. and everybody at Black Irish Books.

I DONE PAID (IN FULL), AND LOOKING FOR A COMPOSER

I wrote an excellent set of lyrics to a Blues song today I’m calling I Done Paid (In Full).

Started a second Blues song (though I may make it a rock or even a pop song) called Stop Dis Missing Me.

Which I’m pleased with thus far but it is far from finished and I got two or three different ways I can go with it, and just haven’t decided yet.

I also have a backlog of about 150 to 200 songs (the lyrics that is) completed now which I have been unable to compose the music for. Unfortunately I have had no time to compose in the past year. Between my wrist surgery and working on my novel, my book of poetry, my start-up, helping my wife with her new career, and my inventions I have had no time to compose music at all. (I’m a slow composer anyway.) All I’ve had time to do is write the lyrics.

So, if you are a composer looking for a lyricist, or even a band looking for a song-writer then I’d like to talk to you. We can enter into a joint songwriting agreement. 

But I’m only looking for serious and ambitious people who want to produce and sell finished, entirely completed songs. I write in a variety of musical styles and genres, everything from Blues to Rock, from Bluegrass to Opera, Pop, and even Religious music. I have a wide range of musical interests, plus I have some unfinished compositions that I’d be willing for others to take a look at right now and finish if they wish. Splitting the Work and the Profits evenly, of course.

I would prefer working with people in South Carolina, North Carolina, and Georgia, so that we can meet and even work some in each other’s company but I’m not necessarily limiting myself to those in SC, NC, or GA. With the right composer or people, and if we can establish a good and productive working relationship, then I could work with anyone in the United States, or even in other parts of the world.

I’m not gonna set artificial limits on this, the important thing is that we are good at what we do and can produce excellent Work together.

If you are interested then leave a message here or contact me by email.

See ya,

Jack.

P.S.: you can see some prior examples of my song lyrics in this archive category: My Writings and Work

You’ll have to look for them though. All of my work is listed in that archive, not just my songs.

Or you can also just go to this archive: Songs

 

PACKAGES, SAMPLES, AND STOCKWORK – HIGHMOOT

Going to attend an author’s conference and seminar tomorrow.

Already have my packages, seminar samples, and stockwork prepared and in order for presentation…

YESTERDAY – TUESDAY’S TALE

SOME OF WHAT I WROTE YESTERDAY (based either on memory of conversations or events of years past or new experience)

I slapped him on the shoulder in a friendly manner and smiled, but I was deadly serious.

“For God’s sake,” I said, “don’t do that. Don’t be a modern man. Be an actual man. Yeah, it’s always hard, and it don’t pay much most of the time. But at least you’ll be alive. Really alive. And in the end what in the hell else matters?”

from my novel The Modern Man
_______________________________

It was as quiet and peaceful and warm and sunny a day as I had ever seen in my entire life. And that was fine by me. I had sure seen enough of all the other kinds of days.

from The Modern Man
________________________________

He topped the small hills that ringed the border to the north and the west and looked out before him. The blue and the green covered the land so thick that he couldn’t see the ground. Not anywhere.

It was an ocean of grass that stretched out forever, with no shore to be seen.

from my novel The Basilegate (Larmageon describing in his own mind wandering the “Blue-Green Sea” just beyond the borders of Kitharia – inspired by my hike in the forests and across the fields today; everything is in bloom and as thick as blood, especially the grass)
_______________________

“My son, as the Lord taught us, you cannot save the world alone. But if you at least set out to try then neither shall you ever fail it…”

from the Basilegate (The Abbot of Studios writing to the Viking Christian convert Drakgarm of Gotar)
________________________

Nothing Works if you won’t.

from the Business, Career, and Work of Man
_________________________

There is no sin in seeking pleasure and avoiding pain. The sin lies in either avoiding pain merely to seek pleasure, or in seeking pleasure by inflicting pain.

from Human Effort

THE YEAR OF CHARACTER

THE YEAR OF CHARACTER

I’m sitting here tonight (last night actually) working on the major characters that will be a part of my fictional book and novel series. I’ve spent much of the past week doing the same.

One invaluable thing I learned from James Patterson’s Master Class on commercial fiction is the importance of ongoing, serialized characters that others adore. I’ve known this intellectually for a long time based on my own reading history both as a youth and throughout my life (John Carter, Tarzan, Spock, Jesse Stone, Sherlock Holmes, Doc Savage, Batman, etc.) but looking back on my fiction writings I’ve realized that it hasn’t really sunken in until now. It had sunken into my mind long ago, but not into my soul. Not until now however. But now, finally, I am fully getting it.

I’ve always been a “Story-First” kind of guy and looking back upon it all I suspect I very much now know why. I was trained and self-trained to write stories through D&D (Dungeons and Dragons) and through game writing in general and D&D was indeed the very most excellent practice and training for story-development. But because I so rarely played and was almost always the DM or GM (Dungeon or Game Master) and was always the one creating worlds and writing the stories I never concentrated much at all upon “Character Development.”

That is to say I always let my players develop and run their characters with as little possible interference from me as I could ever get away with. Therefore almost all character development was in their hands and I become STORY AND PLOT AND WORLD FIRST and in many senses, I just habitually adopted the idea of STORY ONLY. Character-Work was for them, I was the World Man.

Not that I couldn’t write or develop characters, I did have several characters of my own I played and I developed some very complex Non-Player Characters (NPCs) but that kind of thing happened rather rarely compared to my World Building and plot and background elements development and so Character Development became a secondary and almost a background issue to me as a fiction writer and story teller. I realize now that I have for most of my life had this sort of subconscious psychological habit of developing stories in complex detail but sort of letting Character Development handle itself in a laissez-faire fashion when I did not outright ignore the issue.

But now that I realize this fault and oversight in my own writings, and the way I go about writing, I have decided that for me this will be the Year of the Characters. This year Characters and Serialized Characters become equally important to me as Story and Plot and World Building.

This is to be my Year of Character, and the genesis of the development of the Great Characters of my Fiction Writing Career.

This year I build Men and Characters and not just Worlds.

WORDPRESS TIPS

wordpresstipsWORDPRESS TIPS

1. Do you want to create an hyperlink in your post that references an older post? Rather than having to type out the URL or look for it in another window/window, use the search for other content arrow in the link box. Choose the link you’d like and click ADD LINK. There is no reason to check off the box “open in a new window” when you are referencing your own site. In fact, that can get super annoying for mobile readers. Only use that when you want to take someone to a webpage off of your site.

interlink

2. The screen options tab at the top right of the screen will give you more options on your post screen. Do you want to change the author or adjust the commenting ability? Enable all the options in the screen option tag. Then they will appear as options below your post to turn on/off or edit.

ScreenOptions

3. Your theme may support a format option on the right hand side. These options change the layout look of your post. The WordPress default themes use formats. Pick from the options to change the format of the page to match the type of media you want to display.

format


4. You can create “private” posts that are only available to a specified population of users. On WordPress.com, you can choose to make your entire blog private, but on self-hosted, the easiest way to hide content is to password protect it. In the publish box, click on visibility and change the setting. A box will pop up that allows you to write in a password. Click okay.

Password protected pages

5. Pre schedule your posts if you think you will be away for a while. Just be sure your timestamp is accurate to the time zone you are in! To change the timezone, go to Settings > General.

futurepublish

6. Write an excerpt (activate it in the post screen option) to customize how your post appears around the web. If you are using an SEO plugin, it’s called the meta description. One difference between the two: The excerpt box will display if you have your blog posts set to an excerpt format, whereas the SEO meta description usually only shows up in Google search results or in places where you share the link (like on social). The excerpt will show up in RSS feeders (if your blog is set to only show excerpts).

7. Make sure only an excerpt of your post blasts out to email subscribers. If they are reading the whole post in the email, there’s no reason to click on the link and go to your blog. To change how your blog posts display, go to SETTINGS > READING and change the option to summary.

summary

8. If you want to control how much of a post displays on the homepage, use a jump break. It’s also called a more tab and it cuts off the text and inserts a READ MORE link for people to click.

jumpbreak

9. You can edit the permalink of the Post URL if you changed the title or want to rename it. Click edit next to the link that appears under the post title. There are several instances when you DO NOT want to do this – and that is:

  • When you’ve already published a post and shared it online
  • If you are on WP.com and think you may move to self-hosted. Why? Because when a blog imports and a redirect is done, custom permalinks can cause issues.

permalink

10. Download a WordPress app on your smart phone or tablet so you can blog and respond to readers on the go.

11. Use the little eraser button to undo pre-formatted text that looks wonky on the post screen. The eraser helps get rid of any extra formatting that may have happened if you wrote the post in a different application. You can also use the T on the clipboard button to paste text and remove extra spaces and tabs.

formatting

12. Use the quote button to accent certain parts of your text.

I’m learning WordPress newbie tips from Julie at http://fabulousblogging.com! <<Tweet This>>

13. Change the name of your images to keyword friendly titles. That way ifpeople are searching in Google images, they are more likely to stumble upon your blog.

image title

14. Use the toggle full screen mode if you are easily distracted when blogging. The fullscreen button is next to the jumpbreak.

15. Menus can be created using pages, categories, or external links. You can even use a combination of all three! When you first set up WordPress, it uses your pages as a default menu. For a full explanation of using categories on your menu bar, check out the post below.

Lovely

16. Do you want an author bio to show on every post? Edit the description in your profile and it will show up! Go to USERS > EDIT and adjust your description and add your various links.

17. WordPress.ORG users can create an archive index page followingthese instructions. This acts as an index for your entire site and is a nice auto-populated list of your posts, ordered by date. To check out my archive page, you can click here.

18. You can blacklist cyber bullies using email addresses listed in the discussion settings of WP. You can also filter out any comments that use trigger words you define.

Screen Shot 2014-04-14 at 12.25.44 PM

19. Do you want to change how many posts show up on the main page? Go to settings and then click on READ. You can change it there. If you like infinite scrolling (which is when posts just keep loading and loading), you can install Jetpack and activate the infinite scrolling module. Of course, not all themes cooperate well with it, so that’s something note.

20. Change the media image sizes (so that thumbnail, small, medium, and large are set to parameters you generate). Go to settings and media.

media settings

21. Get a breadcrumbs plugin that allows users to easily find their way back to the homepage with a trail like this Home > About Me > Personals. Get the plugin here. Several themes like Genesis and Weaver will automatically include breadcrumbs in their structure.

Breadcrumbs
This is what breadcrumbs looks like on FabBlogging

22. Did you know that you can share powerpoint, word docs, and pdfs on your blog too? Just click the image button to see all the file types available. You can upload them through the media library just like a photo. When you want to include them in your post, they will be inserted as a link that opens up a new tab.

23. Do you struggle with getting your numbered lists to format correctly?Simply type out each item in your list and hit enter. Don’t try to use indented spaces or tabs or anything fancy. Just type, return, type, return. When your list is finished, highlight all of it, and click on the either the bulleted or numbered list button in the toolbar. It will automatically adjust the spacing, indentation, and add either a bullet or a number!

24. Do you struggle trying to get two images to display side by side? I have an entire post on how to deal with images and image galleries on WordPress. Of course, there are a million plugins you can use as well, but I prefer to teach with the basics first, because installing something that could weigh down your site.

images


25. Do you feel confused about the difference between a Page and a Post? A page is a static piece of content. It’s like a webpage. It isn’t dated, nor does it show up in any sort of RSS feed. Great uses for pages are your ABOUT page, RESOURCES page, CONTACT page. A post is a dated piece of content that gets pushed out to your RSS feed. It’ll show up in readers. It also is categorized and tagged in your database differently than a page. Think of a post like a daily newspaper article and a page as a brochure for your business or blog.

Do you want more beginner help? The WordPress Beginner’s Handbook is made just for you!

Many of these work for both WP.com and WP.org users, but any mention of customizable plugins is for WP.org users only. For WP.com users, the edit screen is now a new light blue color with a different interface. You’ll have to revert to the classic editor in order to make sense of these tips. The option to revert to the classic editor is on the bottom right of the edit screen.

 

MASTERING THE MARKET – HIGHMOOT

An Accomplished Writer Takes a ‘MasterClass’ From a Gargantuan Selling Writer

What James Patterson had to teach me about writing—and selling—books

Web_MasterClass2_Morgan Schweitzer

The MasterClass ads started popping up in my Facebook feed a couple of weeks ago. Evidently I fit the demographic of a person who might be willing to cough up 90 bucks for three hours of online lessons taught by a famous person, imparting wisdom on how he or she got that way and how, presumably, I might even do the same, once I mastered the lessons in the MasterClass.

Knowing how scarily well Facebook appears to understand my life, it is unlikely that anyone there (man, or machine) saw me as a candidate for the Serena Williams MasterClass in Tennis, or the Usher MasterClass in the Art of Performance. Back in 11th grade, I played Lady Macbeth in the Oyster River High School production of Macbeth, but I doubt Facebook was aware of this fact, or had me pegged as a possible buyer for the Dustin Hoffman MasterClass in Acting.

It was the James Patterson class they must have recognized as right up my alley—the one titled James Patterson Teaches Writing—a class described as offering advice on how to write a best seller. No doubt this one was offered to me because I am a writer, myself. Just not the type whose name tends to show up on the bestseller list.

I, too, could be one of those writers whose books the person on the seat next to you on the airplane always seems to be reading.

In the 42 years I have worked full time—day in, day out—as a writer, producing, so far, 15 books (a couple of memoirs, a collection of essays and a bunch of novels). I have made it onto The New York Times list for a lifetime total of four weeks—back when the movie version of my novel Labor Day sent the novel that inspired it very briefly onto the charts. Other than that one heady moment, I have labored, like most of my writer friends, in one level or another of financial challenge. But I have held onto the undying faith that any day now, things might change, and all those readers out there who have been buying books by people like Jodi Picoult and James Patterson would suddenly realize what they were missing, and pick up one of mine, instead. And then I, too, would be one of those writers whose books the person on the seat next to you on the airplane always seems to be reading.

Meanwhile, I continue to drive a 1995 Honda Civic and clean my own bathroom. And, in my ungenerous moments, I confess to having harbored a certain not-particularly-attractive level of bitterness over the success of writers like John Grisham and—above all others—James Patterson, a man who holds the title as the world’s best-selling author, publishing so many novels a year that he needs a whole stable of collaborators just to keep up with the demand.

But when this MasterClass announcement showed up in my feed, a new thought came to me. I could hate the man for selling so many more books than I do. Or I could humbly acknowledge that maybe the guy knows something I don’t, and sign up for his class. Which I did.

PHOTO CREDIT: Micke

Confession: At the time I plunked down my $90 for James Patterson’s class, I had never actually read a novel by James Patterson. This didn’t keep me from having a low opinion of the man’s oeuvre. He was pandering to the masses, I told myself. Churning out schlock.

But here’s where another voice piped up in me. Over my many years of publishing my work (novels that may sell 5,000, or 10,000, or if I’m really on a roll, 20,000 copies, to James Patterson’s millions), one thing I’ve acquired is respect for readers. Readers may not be the ultimate arbiters of what makes great art, but they can sense a good story, and even more so, sense when something is inauthentic or written from a place of cynicism or contempt. If a writer approaches his or her story with the simple goal of selling a lot of books, the reader is likely to smell it, and stay away. Something in the work of James Patterson has kept readers ponying up their dollars over the course of a career that now includes 76 best sellers. Maybe I could learn a thing or two about what this quality might be. Maybe I could even acquire it?

So the other day I sat down to the first of the 22 lessons in the James Patterson MasterClass.

Now, just to be clear, I didn’t get to confer personally with my instructor. I also didn’t have to drive anyplace, or show up at a specified time. Paying the fee gave me access to an extremely well-designed website where, at any hour of day or night, I might tap into James Patterson’s lectures—pausing when I wanted, to work on one of the assignments that accompanies each lesson, in the hope that my words might even catch the eye of James Patterson himself. I could have taken as long as I wanted to absorb those 22 segments, but given that I’m not getting any younger here—and that 42 years is an awfully long time to have one’s books not showing up the bestseller list—I decided to get on with it.

I could hate the man for selling so many more books than I do. Or I could humbly acknowledge that maybe the guy knows something I don’t, and sign up for his class.

Just over three hours later, I officially graduated. And though I entered into this project with a large measure of skepticism—worse, even: I entered anticipating that his lessons might offer up some great comedy material—by the time the last lesson was over, and Mr. Patterson (Jim, to me, now) had set me loose to write my best seller, I had developed genuine respect for the man. Even affection. If I met him at a book festival some day, and the opportunity arose, I’d greet him like an old friend.

What changed? For starters, Mr. Patterson possesses an abundance of good, solid common sense and some genuinely valuable wisdom. Not necessarily about the art of writing, mind you. But about storytelling. And at the end of the day, if you ask me (and more importantly, if you ask readers and book buyers), that’s what matters most. A person can write the most beautiful, lyrical sentences (as James Patterson will be the first to tell you, he does not), but if the story doesn’t grab a reader by the throat, and—having grabbed on—hold her there, none of the rest may matter all that much.

Some of the topics Mr. Patterson covers in his MasterClass: Where he gets his ideas. How he designs his characters—and what makes a character compelling. Villains. Creating tension. Dialogue. Here he goes into some detail about the importance of writing dialogue that doesn’t sound like real life—which would be tedious. But rather, writing dialogue that’s wittier, tighter, more filled with dramatic tension and suspense, than what actually happens around the dinner table, or anyplace else in the real, not-particularly-exciting lives people try to escape when they pick up a James Patterson novel.

My friend James Patterson is a big believer in the importance of a great outline. These days, in fact, the outline may be the main thing he actually writes, while he turns over the actual writing to his stable of co-authors. This is how he manages to turn out three or four novels a year, and still fit in a few holes of golf most days.

Still, James Patterson believes in hard work. Seven days a week, in his case—though Mr. Patterson doesn’t call writing work, because he loves it so much. This is a man with an unmistakable passion for what he does.

Some other things James Patterson believes in: Research. Surprises. Action. (If a story isn’t galloping along, it’s sinking. Fast.) He’ll tell you that your first sentence had better be a killer. And that every page needs to contain a measure of drama and intrigue; suspense and excitement that keeps the reader in her chair. (I say “her chair” because it turns out that the vast majority of James Patterson’s millions of readers are women. A fact I might not have anticipated.)

James Patterson came to writing from the world of advertising, and he remains (as I, sadly, am not) a businessperson. “Don’t set out to write a good thriller,” he says. “Set out to write a No. 1 thriller.”

It’s a refreshing aspect to the man, that he harbors no illusions about his gifts. “Let’s face it,” he tells us. “I’m not writing War and Peace.”

“I’m not that concerned with style. …Don’t think about the sentences,” he advises. Just keep that train roaring along.

His stories may be unlike anybody else’s, but his MasterClass is hardly free of clichés: Writing is “a great ride.” A character’s dialogue “fits him like a glove,” and above all else, we should avoid “two-dimensional characters.” A big plot development is “an ‘aha’ moment.”

Screen shot 2015-08-03 at 3.01.01 PM

Never mind all that. The man understands dramatic storytelling. When he tells us to write in such a way that our words “turn on the movie projector” in a reader’s head,” I could not be more with him. I even say the same thing, almost word for word, to my own writing students, in the classes I teach, whose modest enrollment numbers (I now realize) probably have something to do with the fact that not once in all the years I’ve taught writing, myself, have I ever promised I could help anyone write a best seller.

Can James Patterson’s MasterClass accomplish that? Not if a person doesn’t have some natural instincts. (And from the writing samples submitted online by some of my fellow students, I can attest to how many do not.) The MasterClass has not been created—nor will it be—that can impart talent, or originality, or simply a good ear.

Still, James Patterson’s MasterClass is in no way a rip-off. Even if a person never finishes her novel, or finds an agent, or gets her work published, James Patterson will no doubt leave her feeling fired up to write a story. It will inspire people, and make them happy. It will not put them down. What James Patterson is selling here, as much as anything is a glimpse at the dream, and the feeling that it might actually be possible. (Among the segments in the MasterClass is one covering that age-old dilemma: “What to do when you sell your novel to Hollywood.” Now there’s a problem…)

As my friend Jim says, we should reach for the stars. There are worse things an individual might do than to nourish hope and enthusiasm for creative expression, or simple entrepreneurship. James Patterson is great at that. For the three hours it takes to listen to all 22 segments of his MasterClass, students may actually get to feel like writers. They can even post a few sentences of their work up there, and if they are among the lucky ones, James Patterson himself may actually offer up a response. One woman wanted to know how she might protect herself from the danger that someone, seeing her writing on the site—including Mr. Patterson himself, perhaps—might rip it off. Having seen her work, I might have told her not to worry.    

See how mean I can be? James Patterson would never say anything like that to one of his students, or dampen, in any way, their aspirations. To James Patterson, any one of us out there taking this class may be the next James Patterson. And if we aren’t… well, you don’t have to become Jimi Hendrix to get some joy out of fooling around on the guitar. And let’s not forget, Buddy Holly only played three chords.