THE EXCELLENCE OF THE PHYSICAL – HAMMER, TONG, AND TOOLS

THE EXCELLENCE OF THE PHYSICAL

Some people think that I am primarily a mental man, or a “man of the mind” because I spend a lot of time studying, reading, attending and listening to lectures, mastering languages, writing stories and poetry and songs, conducting scientific experiments, etc. Some people think I am primarily a man of the spirit because I spend a lot of time talking about God and to God, examining scriptures, praying, meditating, etc. Some people think I am primarily a man of the psyche (of the soul) because I closely observe my own behavior and the behavior of others, because I watch and take note of other people and am very aware of how they actually behave versus just what they say or proclaim or pretend.

And all of those things are partially true. Not primarily, but partially true. I am in some respects a man of the mind, in other respects a spiritual man, in part a man of the soul and the human psyche.

But there is another part of me that is very, very earthy and physical.

Because I love, and am highly attracted to, and have always been highly attracted to, physical activity and things physical. (Except for eating, I could take or leave eating and if something better than eating existed I’d never eat again. Waste of time to me, and extremely inefficient and wasteful.)

Actually I often do my very best work when hiking, running, clearing land, having sex with the wife, exercising, exploring, climbing, etc. I am attracted to and have always enjoyed physical activity – strain, pain, pleasure, sex, exhaustion, etc. and to me all of those things are drivers and motivators. I have had to learn to correctly control them all and use them wisely and properly but they are all very dear and useful to me. They make me feel alive and invigorated. They are also both stimulants and inspirations to me. Doesn’t matter what I am doing, inventing, working on a business project, writing, composing, drawing, investigating, doing science, etc. physical activity is a stimulant to me.

For instance this morning I took Sam (my American Superior) for a run in the woods (rather than a hike, he’s getting a little fat and I want to work him back into shape with me) and while doing so I developed in my mind six good scenes for my Kithariune novel, a science fiction short story, a Real World invention based around the subject matter of the sci-fi short story (actually the real world invention came first), and had an interesting idea for a scientific experiment. (Physical activity is also an excellent mnemonic technique to me.)

Had I done nothing but sit on my ass this morning and tried to just “Think” (I have nothing against thinking by the way, I highly recommend it to everyone, it’s just I’m not much of a sedentary thinker, I’m an “active thinker” – physical activity stimulates my thinking) I doubt that a single one of those ideas would have occurred to me.

Yes, I am partially a man of the mind, and the spirit, and the soul, but also of the body. My body stimulates the other parts of me. In many ways my body is perhaps my single most important tool of creative expression, either directly or indirectly (as it feeds my mind, soul, and spirit).

I might not have the most excellent body but my body has done me the most excellent service. And just to give him his due, considering what I’ve put him through, he’s been tough as hell and I admire and respect him for that.

Is the body or physical activity a stimulant to you as well? Do you also rebel against the idea of “thinking” as being a sedentary pursuit, or the “thinking man” as a sedentary creature?

I certainly do and always have. Even as a child.

 

AN ARMY OF HUN – BOOKENDS

An Army of Hun
Had an interesting idea for a sci-fi story today about a lone operative who has some rather interesting partners. His gear.

The story is about a guy whose nickname and codename is Hun. He operates behind enemy lines in the future. In the future the military becomes ever more and more sophisticated to the point that one man is equivalent to a platoon of soldiers today, and soldiering is no longer soldiering as we think of it but, “problem reduction.” The military has mostly evolved into something almost entirely different in nature.

Hun’s weapon is a “soft weapon” (an idea I picked up from Larry Niven) and an Artificial Intelligence (which humans think they created, but did they?) with far more capabilities than merely weapon functions. His uniform was grown, partially from his own DNA, partially from animal DNA, and is partially nanotechnology derived from his weapon’s AI. It’s also a “soft uniform.” And he has been treated with microfilaments (to small to see) that grow and entwine all along the hairs of his head and body which allow him to use his hairs as both interfaces and a partially organic ubiquitous data and computing system.

Hun has a mascot and companion, which is composed of reshapeable nanotechnology which is also his multi-tool.

And lastly he carries within his body an “Injectable Code” which allows him to directly communicate with all of his gear and equipment via direct neural link (teleneuraltransmission, or TNT), although the code is partially organic and partially alien matter and will break down over time and be digested by the body making it eventually useless (he must be reinjected and the injection must be recalibrated from time to time).

The IC also allows him to do other things he could not ordinarily do, when it comes to information gathering and storage and manipulation.

Anyway, Hun really, really enjoys his work, but slowly over time he has noticed degradation in his natural physical and mental capabilities and suspects the Injectable Code, that it may be altering him genetically, and has also begun to notice that his gear acts weirdly, leading him to one of four conclusions; 1. the IC may also be degrading his gear as well as him, 2. his gear already knows about the IC and is working with it (and maybe his superiors) despite knowledge it may harm or kill him, 3. his gear suspects the IC and is trying to compensate or in some way counteract the effects of the IC, or 4. maybe something else and entirely different is really going on.

I got the idea while hiking through the woods with Sam, near the Dragon’s Den, and noticing blight on trees and the way their growth patterns were being twisted out of their natural shape, and the areas of softness and rot along the trunks and bark. So I thought to myself, what if people had this kind of blight, how would they get it and what would it do and how would you fight it?

I think this is going to be a very fun and interesting story to write. And I’ll add it (the idea, technology, etc.) into the general background of my science fiction Curae Universe.

PLOT BOARD FOR THE BASILEGATE – HIGHMOOT

I meant to put this up for Tuesday’s Tale, but work and other things interfered so I’m putting it up here today for Highmoot.

What you see below are the creation materials (or some of them anyway) for my four novels of the Other World, specifically the first in the series, The Basilegate.

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Actually I have 1200 to 1500 pages of research materials (mainly historical but also containing other materials) for all four novels already, most of it on CD or DVD and on computer files on my main work system. The rest is in hard files, collected notes (post it notes in the big white container that say BOOK I), in my notebooks and sketchbooks, outlines, timelines, etc.

I laid all of that out on Sunday and had my youngest daughter take pictures of it. This week I am taking all of that material, my chapter outlines for the first book (Basilegate), my notes, etc. and transferring it all to my Chapter and Plot Board. You might think of this as a Case Board by which I’ll run the plot and structure of my novels (in this case, the first in the series) as they progress. I already have about a hundred or so pages of the first novel finished, and various sections of all of the novels completed (as first drafts anyway), not counting the various scenes I have sketched out for each of them. My overall aim now is to collate and compile and arrange all of these scenes and what I already have written into a coherent and consecutive and consequential novel storyline, and thereby push on to finish the first novel while simultaneously arranging all of the other serial plots.

In this collection you will see all of my files, notes, the plot board itself (before being arranged), notebooks, research materials (on CD and DVD), some of the maps I’ve created, and the poems, songs, and music I’ve written and arranged to be included in the books/novels.

(You might ask, “Why does he have the AD&D and 5th Edition Dungeon Master’s Guides as apparent research materials?” Simple, not for the research itself, but because these two books are the best fictional writing guides I’ve ever read. Anywhere and on any fictional subject. If you are a writer and you do not have these writing guides then you really should, they are simply superb and extremely useful for all kinds of story arrangements, including plot arrangements.
You might also ask, “why the harmonica?” Well, because I often like to play the harmonica when I become stuck on some aspect of the story. It helps me think.)

Once I’ve gotten everything fully arranged and up on my Plot Board in proper Order I’ll take a new set of photographs and post those here too. I’ve been working on this novel series for years now, and as a general idea for a decade or more, but I’m finally in a position to push on and finish all four books now. I’m now satisfied that all of my major research and preparation work has been properly conducted and finished and I’m now ready to finish the novels without anymore large-scale or wholesale plot revision. Just minor tinkering at the edges left really, and then the finished writings.

Which is a big relief to me as I intend this novel series to be one of my Magnum Opae (one of my major Life Works – I literally cannot say Magnum Opera as that construction seems wholly silly and inappropriate to me in English).

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GOOD LORD, I DID IT

I’ve been having to spend a lot of time on the internet this past weekend, yesterday, and today (time I would have rather spent doing other things, but this was necessary) rearranging the work on my literary blog so as to make it easier for agents, publishers, business partners, investors, etc. to locate my work in a single locale.

I did have my stuff scattered about on various “categories” on my blog(s) but that was apparently making it hard for agents and others to review my stuff. So on each blog I created a new category entitled: MY WRITINGS AND WORK

Now anyone can find anything I have created, written, or posted on my blogsites with a single click. This should be much, much more efficient and useful.

But it has been hard work to go back through all of my old posts, locate my work, and collate it into a single on-line collection.

So it has taken days (literally) of search, edit, and reorganize. But I’m halfway done with Wyrdwend, my literary blog, and as of now my new category/collection contains 88 pieces of my work. Including such things as my short stories, poetry, children’s stories, children’s books, songs, invention sketches, business articles, criticisms, scripts, graphic novels, essays, novel extracts, game designs, etc.

Whatever I have so far put up.

I figure when I finally finish with my archives by the end of the week the category/collection/link will contain about 160 or so pieces of original work.

Once that is done I’ll do the same for all of my other blogs, including Launch Port, Tome and Tomb, and the Missal.

By the way here is the collection link: MY WRITINGS AND WORK

I GET SICK – TUESDAY’S TALE

I used to breed Great Dane pups. Well, half Great Dane, and half Saint Bernard. I call them American Superiors.

So that I could keep one descendent from every generation and so that (going back four generations now) others who wished them could have one. Best dogs I’ve ever had. Best dogs I’ve ever seen.
But dogs are dogs. Their methods of breeding, reproduction, and birth are hardly easy, civilized, or elevated. Sometimes they’re just brutal. Which reminded me a lot at the time of things I’ve seen with and out of people too.

So I wrote this short story about em both: dogs, and people. Because when they are both high and elevated, they are both noble indeed. And when brutal and beastly I get good and damned tired of watching them kill (intentionally or otherwise) and of burying em…

So for Tuesday’s Tale I’m telling ya, sometimes I Get Sick.

I GET SICK

My bitch killed two of her own. There were only four to begin with, so it was a real blow. To all of us. As much as I love my bitch, and think she’s much smarter than average, it was totally unnecessary. Had I not been already exhausted with overwork I could have seen it coming. Could have prevented it. Should have prevented it, but truth was, I was just plain too late. I get sick of being too late. It always ends like hell, and the payoff is lousy.

With her breed of dog you have to watch the pups carefully. It’s not that she’s a bad bitch in any way, or an uncaring mother. She isn’t. Actually it’s quite the opposite. She cares a lot. Which is why she killed them. Too much of love is deadly in her kind.

We’d been through this before. It wasn’t our first rodeo, for either one of us. I knew how she’d litter, and what the follow on would be. She birthed for two days straight, but slowly. Very slowly. Again, normal for her kind.

Six pups in all, one blue, one brindle, one gold, three black. All of the coat combinations possible given her jet-black coat and the complex coat of her sire. But two were stillborn, a black female my kids named Zoë and a huge pup, twice as big as any of the other two combined, we named Goliath. It was bad he never drew breath. From his size at birth alone it was likely he would have been a prodigious monster. Maybe the biggest my bitch had ever bred.

But four lived. A black female we named Jade, a golden male named Leo, a brindle called Peter, and a beautiful blue (always the rarest in appearance) I named Seanna, meaning “blue gray wave.” They all thrived for five days. My bitch had more than enough milk to nourish them all. Leo grew the largest, Peter next, Seanna was the smallest, but fed the most, and yet Jade too did well. Her fat belly often swelled with what she ate.

On the fifth night I gave up watching the pups anymore. Just let their mother do all the tending. She was doing a superb job, and although I knew that being a Great Dane, and about two hundred pounds, she would be a danger to them until they were three or four weeks old, they all seemed well. I could go back to bed at night, let my bitch care for the pups alone and without my interference. I was already almost sick with overwork and lack of sleep. All night den-father to the litter seemed overkill.

The next morning I got up late, having overslept from previous lack. I went downstairs and looked at the thick blanket on my den floor where my bitch and pups should have been. But they weren’t there. She had moved them all up onto the couch. I ran over, afraid of what it meant, but it was too late.

She had two wrapped in front of her, her legs bent at an angle almost as if she were a human mother hugging them to her. She was licking and grooming them. I snatched them away immediately and placed them back on the floor. Then I looked for the other two.

Sometime after she had placed them on the couch they had slipped behind her. They were caught between the large seat cushions, dead and suffocated. One dead perhaps ten or twenty minutes, one dead probably not two or three minutes earlier. Both were still warm. Leo lay above Jade, a familial yet senseless fellowship of death.

I tried what I could with a syringe to resuscitate them both. But rigor set in quick with Jade. Leo stayed warm and pliant for nearly an hour. I thought at first he might have been comatose, instead of dead. But I could find no sign of breath or heartbeat, even a suppressed one. Eventually he too stiffened.

As best as I could reconstruct from what I saw their mother had probably went to get on the couch during the night to take a break from feeding them all. To take a little rest, maybe get some sleep. She’s used to laying on our couch or lounger as part of her normal routine. Then she heard one or more of them whine, demanding more milk, or her for her warmth. She had retrieved them all to be with her, carried them in her mouth to where she was, because after all she wanted them near and it was far more comfortable on the couch.

But they were too young still, and she far too large. Greta Danes bitches will often crush their young if left unwatched, and never even notice. An accident of nature they don’t think about until after death has claimed his prize.

She felt terrible afterwards, as did I. It took her awhile to figure out, but once she did she moaned and groaned. It was really my fault though. She’s a dog. But I’m a man. I knew what could have happened, and I had let myself become over-confident. That after a couple of litters she already knew all there was to know, and that with such a small litter to tend no real harm could befall form her loving but clumsy efforts at tending her pups. At two hundred pounds they were no match for her mass, and because of her breed, her unchecked affections were lethal and sure.

And, of course, I could have put up all of the cushions before I went to bed that night. That way she could not have placed them on the couch, where they could suffocate beneath her, caught between cushions many times their size, and crushed under a mother many times their weight. I could have also risen earlier. I had missed saving Leo by less than five minutes, and missed saving Jade by half an hour or less. But in all of these things I had been over-confident and stupid, had let exhaustion and lack of sleep and preparation blind me to risk. If anyone was at fault, it was certainly me. If anyone is to blame, the blame is all mine. And just as with any reckless, unnecessary accident or tragedy, there is always someone to blame. If you’re ever really willing to be honest about it.

That didn’t comfort their mother though, any more than it comforted me. Knowing how a sorry thing happened is very different from having prevented it. But at first she didn’t understand either. So she walked in rapid, worried circles around the small bodies, tried her furious best to lick them back to life, and when after an hour she finally realized they were absolutely dead, she demanded to go outside and tried to dig a hole to bury them in. I went outside and spoke to her softly, knowing she couldn’t understand me, but finally she looked up and left off her task. She didn’t need to understand me; she knew they wouldn’t be moving again. And so I guess she was sick of digging her holes.

Why is it that I’m the one that does all of the burying? I often ask myself that at times like these. I’m always the one putting the bodies down. I’m always the one digging the holes, or making the arrangements, or watching the corpses get planted.

Always the bridesmaid, never the bride.

I know my time will come. It’s inevitable. One day someone will plant my mortal remains, and that doesn’t bother me at all. It’s just a body, and well hell, I like it and all, but it seems a poor ride into eternity. It seems very fitting to me to shed it in time. I’ll have other places to be by then anyways.

But until then, on days like today, I have to wonder, what makes me so damned special? How come I get spared, how come I’m the one always left behind? As many times as Death has vested me, smiled, shook my hand, spoke to me like an old friend and wished me well, he’s never once asked me to follow him anywhere else than someone else’s grave. Just recover from whatever hit me so that I can be the one to execute his rites. His silly, tiring, pointless rites and rituals.

Friends, family, victims known and unknown, even my dogs and animals. I’ve inhumed them all. Planted them all. Entombed their last remains so often that all that remains to me is but a shadow of what I used to know. Used to feel. About them. About myself. I get sick of being the one to do all of the burying. I really get sick of it. A disease without end. A task without profit.

And so one day, one day God help me, just send me a cure.

THE ALLUSIONS OF THE OTHER WORLD

Lately I have been compiling the literary allusions that will appear in my Other World novels and inserting those allusions at the appropriate places in the plot structure of MY books.

My novels will have allusions to many previous works of literature but rarely will I quote or mention by name or source the allusion. Rather I will take the allusionary reference from the original source of literature and rewrite it to fit the events of my own novels, yet, nevertheless, the allusions will be there encoded within the works if you know what to look for or if you are familiar with the passages from the original works.

I will include allusions to the following works, among others:

A Song of Ice and Fire, GRR Martin
Acts of the Apostles
Aeschylus (various plays)
Alice’s Adventures in Wonderland, Lewis Carroll
Beowulf
Book of the Fallen
Chronicles of Narnia, CS Lewis
Elric of Melnibone, Michael Moorcock
Harry Potter, JK Rowling
Icelandic Sagas
Jonathan Strnage and Mr. Norrell, Susanna Clarke
Kalevala
Le Morte De Arthur, Tennyson
Lyonesse, Jack Vance
Oz Books, Frank Baum
Siegfried
Shakespeare: Henry the IVth, and MacBeth
The Gospels
The Silmarillion and Lord of the Rings, JRR Tolkien
The Song of Roland
The Torah
The White Stag
Thomas Covenant Books, Stephen R Donaldson

 

As an example of how I intend to insert such allusions into my own novels here are two illustrations of my process of my process:

The Aenied, Virgil

Original Line: “Sleep! Sweet gift of the gods… It was the time when the first sleep invades languid mortals, and steals upon them, by the gift of the gods, most sweet.”

My Line: “And where will you go now?”

“I would lay down upon the ground and go to my death if I could, but failing that I would go to my dreams.”

“To your dreams? And who will you meet there?”

“I do not know, but this is too much and I must sleep. For I am weary and if God himself finds me in my dreams may he finally gift me with forgetfulness of all I have seen and done. That alone would be sweet and meet to me now.”

The Worm Ouroboros, Eddison

Original Line: “There’s musk and amber in thy speech,” said Juss. “I must have more of it. What mean they to do?”

My Line: “Musk scents your voice with something strong and dank, but amber seals and occludes your real meaning. Speak clearly to me now or I will slice open the rank resin of your speech with my keenest hunting knife and peer into your throat to smell for myself your true intent.”

REAL READING AND REAL WRITING from MEMORABLE LITERARY LINES

Real Reading is far more than just mentally decoding terms and words, it is psychologically apprehending and comprehending the very most subtle and sublime ideas and ideals that it is possible for man to ever understand.
Real Writing is far more than just encoding and transcribing phrases, it is transmitting, mind to mind and soul to soul, the very marrow of manhood and the very embodiment of human experience through script, so that it may be read again whenever needed into the design of the future.

My personal take on the true nature of real reading and real writing