HAMMER AND KNIFE

HAMMER AND KNIFE

Hammer and knife
Speartip and strife!
Terror and dread
The Doomed and the Dead!
Helmet and shield
Warmount and weal
To rise and to stand
The measure of man
A line does unfold, and
Another is drawn
The fields are aflame
The brave still unnamed
Blood black and soiled
Desperate we toil
Lords vomit red
Their flesh cold and bled,
Hammer and Knife
Beaten and sliced!
Arrow and sword
Pierced and then gored!
The grunts and the shouts
The moans and the doubts
The rallies and wounds
Shall we be entombed?
We few as we stand
Our fallen in bands
The calls and commands
They litter the land, yet
Exhausted and spent
None must relent, for
My Hammer and Knife
The Wards of my Life
Still fill both my hands
Shall do what they can,
For I fight to the end
Or to grave I descend…

So this morning after walking Sam (my Great Dane) I was practicing with my warhammer and knife when suddenly the following song came to me as I worked. (Not all of it, but the first couple of stanzas.)

Then, after finishing my practice I went to the west deck of my house, and sat in the sun, and imagined a battle and wrote the rest of the piece.

I will publish it as a poem that my character Larmaegeon composes and sings (so it really a song, but sung without musical accompaniment) for his companions right before they go into a seemingly hopeless battle. For in the scene involved they are ambushed and suddenly surrounded.

So this song will go into my novel series the Kithariune.

Since I am now learning the guitar (see here: Fade Away) and am planning on turning to the lute next I am now considering taking some of the poetic works that Larmaegeon and others compose in the novels and writing out the music to such works as well and including those in the novel too. Along with all of the other supplementary material.

I am rather pleased with Hammer and Knife, but if you wish to comment upon it (if it please you or displease you) then feel free to do so.

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THE ECLIPSE OF THE LIGHTLESS MEN

THE ECLIPSE OF THE LIGHTLESS MEN

From the face of the moon do the gods watch the sins
Of the dim absent dreaming in the darkest of men
Do the stars in their orbits, falling to flare
Alight in the cities, or ignite in the air
To illumine the blindness, unruly console
When the blackness eclipses the depths of their souls?

The mirror is silver, the heavens are deep
The eyes of the lightless like death do they sleep
Their tribes all afire, rimmed by the blaze
Yet their hearts are all stone, and their minds all a maze
Where the light cannot shelter, nor sun still abide
No thread to remember, no savior arrives,
For the men who are lightless grow great in their herds
Yet of hope or of Wisdom nothing is heard
An Eclipse of the Silence, the cold and the still
The Furies unfrozen, a debt to fulfill
For the Plague that was promised is spoken again
The Cure long abandoned, a whispering wind,
The masses are metered, each measured alike
For man is as nothing when compassed by night
The Earth is ill-favored, the moon eats her share
The darkness within us escapes to the air –
Though who bothers to repent, or lust for the light
When the lure of the eclipse burns yet so bright?
Encased in our Eclipse who yet occupies
That nature eternal that never can die
Or wonders to wander where darkness is rare
Where men yet make marvels, not terrors declare?
I would I could tell you, I would that I knew
For the lies of the lightless have eclipsed me and you…

______________________________

My poem commemorating the Solar Eclipse in the year of our Lord, 2017, and the current (and constant) nature of man…

I began it around midnight yesterday and concluded it about 0200 hours today (8/21/17).

#writing  #poetry   #eclipse

 

THE MASTER AND THE GURU – FIRST VERSE

Since it is National Poetry Month I have been attempting to write one new poem for each day of the month. So far I am maintaining my output despite my other workloads. Because poetry is not only one of my favorite avocations, it is also one of my favorite occupations.

Though some of my new poems have been necessarily short and/or very simple because I have been pressed for time given my other pursuits.

I will not be posting every new poem I write here (on Wyrdwend) because a couple have turned out to be really good indeed and because I shall enter them in contests or otherwise seek publication for those. For instance last Saturday (4/8/17) I wrote one entitled The Carpentry of Dead Men which I thought to be particularly good.

But I will try to post at least one of the poems I have written every week.

With that I give you this poem for this week’s First Verse: The Master and the Guru.

Inspired by something a friend said about “modern gurus and experts” and their never-ending advice.

Enjoy, and have a good evening folks.

Also, and less I be remiss, thank you for your readership and on-going support.

_______________________________________________

THE MASTER AND THE GURU

The Master took me to his forge
A hammer placed he in my hand
The guru with his tongue disgorged
His tales of wondrous, foreign lands,

The Master bade me strike the steel
To work upon it what I will
The guru told me, “sit and learn,”
As he spoke in fitful turns,

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And when I erred throughout my Work
The Master’s hand made me his clerk
But when the guru spoke of truth
He said all things are thus, “for-sooth!”

The Master bade me work again
When failure stained my heart within
The guru said, “Do not lose heart,
All truths to you are but a part (apart)…”

The Master said, “You’ve learned enough,
Now practice til you perfect-up!”
I asked him when that day would come
He laughed at me and sent me home,

My guru, on the other hand
Mentioned not his future plans,
Nor did he bid me practice more
“Just wait awhile, I do implore –
For always there is more to learn…”

guru

In that he marqued, and most profound,
In endless thought I’ve never found
How it is we may surround
An end to knowing, to that ground

Plowed and furrowed, waiting still
For seeds to grow, for crops to till –

The mind it is a hollow hall
Fathomless, without recall

The guru knows this, yes he does
And warrants then his work because,
The Master makes, the guru speaks
The one insists, the other seeks

Solutions that can never end
In anything, but will suspend
That day you come to know at last
That knowing is not action
In this world…

THE CRAFT OF FOREIGN FEATHERSTONES

THE CRAFT OF FOREIGN FEATHERSTONES

I thought that I had injured
That with which I thought
Only then to understand
The fault that I had wrought,

My imagination
Turning as it slept
Found itself abandoned
While to other lands I crept,

The hills of high philosophy
The mountains of the moon
The blood of war, the boatman’s fee
(That endless shore, an anchored leevariant line)
Upon these I was hewn,

The craft of foreign featherstones
A science, or an art?
What matter to that one dethroned
Whose will will soon depart?

Clever in the market stalls
Cunning in the wares
What happens when intent appalled
Is taken unawares?

Creation is a fakir’s cheat
The muses whores of fate
Yet man is just an instrument
Come often, or come late,

If he would be a better thing
He must to something else
Bend himself in constant chase
And sometimes so with stealth,

For he commands that lofty globe
Granted him by God,
Yet even so, he must still show
He knows of the façade,

For art is nothing but the world
Dressed up as if were true,
Therefore man has no real art
Without what he first grew,

Within his mind, upon his heart
He wrote, he sketched, he drew
Then he found that thing profound
When nothing yet is due

Thus (and therefore),

Art can nothing to this world
It did not first possess,
Yet turning so with twisted charms
Man does acquiesce

That in himself creation roams
Seeking whom (and what) to eat, but
First that man must eat this world
For him to be complete…

__________________________________________

Usually I post my verse on Mondays. For First Verse.

But I have been very busy lately and have had scant time for composition. Today though a friend of mine mentioned something about “creation” and since he is an artist I went ahead and wrote a poem I’ve been meaning to write awhile on the subject of art and creation anyway.

I have my own definition for the term “featherstone” in relation to creation and art. Or indeed in relation to anything at all.

I use it in this way: it refers to a magical or mythological Xoanon (that falls from the heavens and is taken as a god or carven into an idol and worshiped), to a thing that cannot in reality exist (because it is entirely self-contradictory), to polish away all of the weight of a thing and leave behind only the most opposite (and usually useless) thing, and even to Potmos, and the Residuum.

By foreign featherstone I mean that featherstone not native to one’s self, or that featherstone one must seek out elsewhere or that lures one elsewhere.

THE SECRET ACCORD

My opinion is this. A man’s true Word-Hoard isn’t just what he knows, for not all coins are of the same weight and measure. Rather his true Word-Hoard is what his treasures will buy and sell, and often and uppermost, in secret…

 

THE SECRET ACCORD

I dug a Word Hoard
Connate and wide
To bury the Wealth
That often abides
When the Weal and the Wisdom
That cannot be spread
By exchange in the markets
Still dwells, it is said,
In the bed of Procrustes
Asleep for awhile
In dreams made of amber
For this mind of exile
Has mastered the tongue
Of the treasures beneath
Subterranean efforts
In caverns replete
The facade of the fashion
A looking-glass hall
Where the hordes
Glom the gilt-work
And the herd is a-stall
There’s an ark, and an archway
A cup dipped in brass
For written upon it
Inscribed is a task
In proesy a notion
An omen you say
That word is prophetic
Indemic, assay
What you will
Of what cannot be termed
For the fire is sire
As the Worm of it turns
Broken and paltry
Forgotten and lost
The Latin beneath us
The Greek at all cost
The Wales of the Harlech
The Angles at Wrox
Gold-banded the cold Danes
With the Norsemen at bay
All did they answer
More did they say
Of the Word-Hoard we carry
When tarry we will
At the heart-spring
Of language
That flows from us still
Neath that Selenic moot
When nothing may be
‘Cept the terms that you loot
When demanding you seek
To be understood
In the things that you know
When the other is clever
Ingenious and bold
Having bled in his efforts
To get a Word-Hoard
He can share with his brothers
With a secret accord.

SHE SWEPT THE LAKE: UP WILL COME

The other night a buddy of mine posted this image to my Facebook page wondering if it would interest me. It did. And so I wrote the following poem to accompany it.

Avantgardens. Willow effigy by Olga Ziemska.

SHE SWEPT THE LAKE

(Up Will Come)

She swept the lake
A conjured doom
She rose in haste
From threaded looms
The twisted vines
Across the stones
Did thrash and twine
As if alone
She wailed her torment –

In effigy

Sprang from the Earth
Yet not redeemed

An omen of an ancient kind
A living curse, a knotted sign

Evoked in vengeance
Shaped by awe
Of blood resent
And rootless gnawed

Some witch has woven
Of her spite
A kindred soul
To seek delight

To haunt and drive
With fearsome rage
Another down
Into her age

For up will come
That from our souls
In weaving wrong
Is all foretold

And birthing it will
Monsters mold
Of longing hot
And hatreds cold…

AN END WILL COME ANON (I AM RESOLVED)

AN END WILL COME ANON

Unresolved I nothing did
Resolved at once I swiftly bid, but
Finding other ends so hid
Within the beam, and bound amid
I resolutely, God forbid,
Discovered not what cause undid
What cunning tactic
Could not Cure, what resolution
Did procure, does thinking thus
Make sure allure, or do our thoughts
Our acts abjure when Time
Is counted Friend or Foe,
Does it matter, do you know?

Or is this best solved in the Heart
Some never do, some flaming start
Yet those who finish, finish true
Brook no excuse, all pleas eschew
When they start they set off hot
Then burn until most have forgot
But in their souls no fire dims
They seek a crown, and seek it grim
They go on, and on, up to the rim
To end what ere they first begin
While others speak, they act
And act, and act again…
In habit so unlike most men.

You ask me what has most import
The time, the nature, or the sport?
I tell you that it matters not
It matters what you’ve yet begot
While others to their fallen lot
Pause to rest, and then do squat
For good – though good be ill
To carry on no more, still,
Stillness is their end:
So yes, the question solves itself
If any will but hear it well,
The start is vital, this is true
The middle hard to labor through
Yet if you but continue on
While others drop,
Their motives gone –

Your end will come, and come anon…
Resolved, your aim is true.

 

(Written as my answer to being resolved for 2017)

MY HOUND AND THE LORD’S

This poem is for my dog Sam. Or, as his name really is, Samaruel. Or, Samaruel, as my wife calls him.

Now Sam ain’t dead yet (thankfully) and neither am I, but we both will be. One day. And I’ve seen Death come awful close to both of us a coupla times. You know how that is. So I figured I’d get my licks in early in this world. Fas as Sam is concerned.

Now I’ve had a lotta great dogs and other animals over time. But Sam and I have been through stuff together that, well, it’s like a bond of blood. Or blood mixed with blood.

Now I hope to see all my critters after I’m dead. But Sam and I, after we’re both dead, I plan for us to go a roaming. Far as far can get us, wide as wide will go.

So here’s my verse to my buddy. He’s flesh and blood and bone and fur like I’ve never really known. I helped deliver him (like me he tried to breech and had to be turned), raised him from a pup, and have shared close now to a decade of my life with him.

He’s a helluvah dog.

Hope you enjoy.

 

MY HOUND AND THE LORD’S
                     (for Sam)

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He’ll always be my beast
My hound and the Lord’s
By heaven, sky, and ground
Come famine, or come feast

He tracks the forest green
He scouts the river banks
Mountains, fields, redoubts
He runs beside me free
Happy in his thanks

Yet grateful full am I
He calls me his and friend
For in his loyal trust
I joy, and do depend

The roads we share are long
The hunger and the cold
The heat does wear us both
But time has made us old

Summer long in song
Autumn fair and sweet
Winter’s dark is deep
Spring again, and dawn,
One day we both shall sleep

Yet he shall be my beast
My hound, and the Lord’s
Eternity is long
Death then is but the least
Of crossings we did ford

For in some other land
Upon some other world
My dog and I shall stand
Our hearts both long unfurled
My hand upon his head
Bright gleam within his eye
We’ll ask for no new bed
Nor shall we fade or die
He’ll run and scout for me
I’ll laugh and follow suit
We’ll pass a thousand leagues
My beast, myself – renewed
For in that coming day
With stars but without night
We both shall find our way
No distance to respite
For he shall be my beast
And I shall be his friend
That shall be our fate
Together without end…

THE SUNSET HALL

THE SUNSET HALL

There is a sunset hall
Far away from here
I’ve seen it dim and small
But in my heart it’s near

It’s empty when I look
No matter, day or night
By everyone forsook
A wasted, ruined sight

Yet in my soul it burns
Dark with bitter tears
For in my mind it churns
Fires still that sear
I wish the light would fade
From all I have seen there
It is an open grave
Ling’ring in the air
It will not go away
That sunset never ends
The stones will not decay
And I cannot defend

Myself from it…

The empty song of it…

The coming night of it…

The wasted flight from it…

If one day you find
Me sitting by the sea
Drowned, but still I’m dry
Despite all you see

Know an empty hall
Sunset, far away
Has found me after all
Or did I go to stay?

Seek it…

Did I go seek it?

The ruined site of it…

 

Because…

There is a sunset hall
Far away from here
Sometimes it will call
From where is never clear
But when I close my eyes
I find my heart within
No matter how I lie
I live there in myself

With it

The sunset never ends…

Within

Yes, the sunset never ends

Within…

WITHOUT A PLAN

WITHOUT A PLAN
(TO THEIR KNEES)

To their knees the fell men bent
Their manhood sold, their courage spent
To herd, en masse, their movements ran
For of them all, the same demand
That everyone should bow and scrape
To each other, no escape
No Rising High, no better god
Submission’s slave and worldly shod
Their only prayer to king or queen
The present age their only dream
Out of their mouths come feckless oaths
From their hands spring deeds to loathe
No shame, no guilt, and no reform
Repentance laboured, and stillborn
Deceit a crown for cunning heads
Their dawn as dark as creeping dread
Their craft disguised, but inward bred
Their soul’s surmise, that “God is Dead
To be replaced with urbane art
The bane cum blessing, bitter hearts
Society their altared grave
To seize and offer what they gave
Back to themselves while it will last
Though of rot their bid is cast
For all that man can build and sow
He cannot his redemption grow
He thinks him “Wise Sophisticate
To lure on Good, himself the bait
He does not know he stinks of Death
To Doom he’s drawn, his own bequest, and
The Physic True who could arrest
Who’d Cure decay within his breast, why
What self-wise man has any truck
With God or Savior when to luck
He trusts his Fortune, built by hand, his
Only Truth that man is man –

That god within – without a Plan.

OR IS IT?

OR IS IT?

All men are equal
Yet very few are
Some pause at nowhere
And others go far
You’re taught all your ideals
To find few who keep
Them as you’re told to
Awake, or asleep,
The Child is the Father
Or so it is said,
Yet even in childhood 
Indifference is bred
A quorum of billions
A lone, single soul
A balance of equals
Or a thing to enroll?
(Or is it – inrole?)
All men are equal
Perhaps this is true
But not in the living
And not as they do;
Some men are driven
By doom, and by fate,
Some will learn early
Some will learn late
Some never catch on
Pity them, yes?
Some will gain nothing
Not knowing it yet,
Some will have treasures
Envy them, no?
Advantage breeds profit
(Or is it – plunder?)
Or didn’t you know?
Some will find searching
Some never do,
Which is the better?
I leave that to you
Some will have false peace
Some will have war
Though no fault of their nature
She’s adored, he’s abhorred;
 Some will thrive greatly
Some will fall hard
Is it luck or Good Fortune?
Or the skill of the Bard?
You want I should tell you?
Hell, I’ve never known
Yet even unwitting
I still play along
For the Chance or the Purpose
That I may be one
Such men as are disposed
To know what they’ve won
For all men are equal
Admit it or not
For no one is certain
If paid, or if bought,
Cause all men are equal
Even when not
For man is a mortal
(Or is it – a man is immortal?
Either way, eh)
What a Gordian Knot…
 

WE ARE WRECKED

Many things have occupied my attention and mind of late. Not least the sorry state and fate of my nation.

 

WE ARE WRECKED

We are wrecked on raging seas
The world it is now lost
Our country, once a paradise
Is now a tempest tossed
Fire in the eyes of man
Murder from their hands
Terror steeped in blood and death
O’er floods our lands

Men seek violence as their aim
Violence turns them back
Those so wounded, blind and lame
Are all alike attacked
Reason has no weight to move
Impulse is unchained
Wisdom lost, or exiled long
Goes about unnamed
Injury for wrong returned
Is gifted to us all
Slavery thus vengeance borne
Is Justice so forestalled
We do not seek to understand
What we can best attend
We rather long to burn alike
Among our common sins
Manipulated, one and all
No one questions self
Grievance grows, our spite enthroned
As if some treasured wealth
No one hopes to end it all
Just to play the game
Until that time when all is lost
Except for loss and pain
Failure is the afterbirth
Of long aborted hope
Deception is the albatross
That hangs about our throats
We are wrecked on raging seas
The world it is now lost
Perhaps we can to better shores
But how, and at what cost?
Some shout, “this way!”
Some cry, “here!”
Most swim as currents flow
Is there a port to shelter them,
Or do they even know?

Tossed by waves on reckless seas
It’s hard to sight your mark
For once lost on the oceans deep
There is no saving Ark
Yet far away, as true as souls
Who’ve given up their fears
There is a Kingdom, vast and sure
That does not drown in tears
Men did not build it
Yet they’re there
The ones who threw away
The ballast of their sins and wrongs
The clutching to their hates;
The ones most free of bitterness
The ones who swam the Gulf
To follow He who sailed alone
To sound the depths of trust
If only we, our selves resolved
Might yet attempt the same
Then we might reach a different world
Wholly different framed, but
Weighted with our worldly cares
Which could not float a Fish
We’ll never reach a port so safe
No matter what we wish
(Bated by the things we’ve dared
We could not navigate                                           ALTERNATE STANZA 17
A better man, in better lands,
Or all our vices sate)
For we are wrecked on raging seas
This world it is now lost, and
We are drowning, just like it
In waves all tempest tossed;
Yes, we are drowning
Just like it
Because we’re surely lost…

THE END OF ALL (WAR UNCHECKED)

THE END OF ALL (WAR UNCHECKED)

I play the Ogre in the sun
Battles in the unreal Wastes
Tracks upon the injured Earth
Men lost at bootless, useless tasks
Desperate in their race
To halt the Great Machine
Before it plows their graves

Shells fired true at noon
Scream and then erupt
Melting steel and flesh
Can any still be saved?

A flash and searing light
Mushroom clouds rise
High in Death –
Men are vaporized, but
Shielded from the shock
The Ogre shakes it off
The Ogre lumbers on,
All else is crushed like dust
Reduced to crumbled rock
In what can men now trust?
In what do they take stock?

Replacements rush the line
Their missiles roar in flight
The battle rages gold and red
Until the fall of night,
The ruins smolder long
The slag it runs like blood
The dark is still and cold
Men buried in the mud

No movement shows on scopes
No sound is heard to churn
The ground no longer shakes
No giant Beast comes forth
There is no steam or quake,
The moon spies no Mighty Monster
Neath the clouds of man-made smoke
As it runs the sky in haste –
It seems as if there’s Victory
That doom has been revoked

Yet come the dawn
Come the morning’s rise
Men in dread do hear
The distant turning wheel and clank
Of scored and tempered metal
Once more in motion on the Earth,
They feel the tremors, re-sight the Beast
As it lumbers on uncaring
Atomic piles of superheated waste
A mind of carbon frozen cold
An alloyed soul of silicates
That knows no mercy, rest, or wear
That shed no tears for corpses piled
Higher than its mighty head
With its massive maw of cannon red
And unblinking Cyclopean Eye
That watches all and sees all things
Far and wide
Except, of course, for what it does…

An Ogre plays beneath the burning sun
Battles rage in fresh ruined wastes
Tracks marred hard upon the dying Earth
Men lost in their hellish tasks
Desperate in their race
To kill the Great Machine
Before it plows their countless graves

Yet come the dusk before the dawn
Come the night before the fight
The monster knows not, cares not
Asks not, hears not the wounded
Cries and screams of men
For the Ogre has no doubt
It dreams no dream
Except the dream of what it does –
War unchecked, and winning that
The End of All,
Himself as well
To die alone
Beneath a burning sun
Unneeded anymore…

 

Sometimes at lunch I play Ogre. Against myself.

Ogre is actually based on the old Keith Laumer series Bolo. Some of my favorite sci-fi tales to read when I was a kid. I recommend both the game and the books.

Today I played a particularly superb scenario that I had also written for myself. It was a “Total War Scenario.”

By the end of the scenario the human forces had been completely annihilated and the Ogre could not move having also been almost entirely destroyed.

I’ve decided to call it my War Unchecked Scenario. Or the End-All scenario.

Rarely have I fought or devised a wargames scenario that resulted in such almost perfect annihilation of both sides.

After ruminating on what it implied for a little while I wrote the poem above, The End of All.

I was surprised at how well the poem came out, especially since it was based upon nothing more than a wargames scenario. And it has been very well received and critiqued by my family, friends, and the followers of my poetry and writings. Then again I always try and envision any wargame (or role play game, or real life training scenario) as realistically in my head as possibly in order to execute it properly and to see what real life lessons might be learned.

So this poem will go into my file for Espionage and Military and Survival Poetry. Later I will seek to have it published. You are welcome to make your own comments on it as well.

I FORGOT TO REMEMBER – FIRST VERSE

I started these two things, the first the beginning of a poem, the second part of a set of song lyrics, over the weekend. Don’t know what I’m gonna do with either in the end but since it is Monday this is my post for First Verse.

 

I FORGOT TO REMEMBER

I forgot to remember when nothing was right
How all that we tendered was twisted and trite
I begot a dismembered, ephemeral sight
When divided in terror, Theatron of Rites

The devices, the chorus, the Odeion of Scene
A tyrant all bloodied his thralldom most keen
Our vices within us a kingdom of dreams
Grown pregnant and studied, still starving and lean

A Opera of Staging, performed and preformed
Dispelled in the aging distempered and worn
Our union engaging our spectacle torn
Redundant, abundant, of meaning all shorn…

JUST A MAN

Gonna ditch my damned phone, then ditch my car
I’m gonna hitch my wagon to the brightest star
I’m gonna find the person that I’m looking for
Just gonna keep on walking til I reach the shore
Of somewhere I’ve never been before,
To see what lies beyond this land
To see what happens when a man
Is just a man…

If You Leave – I’m going to try again and link to the daily post. I have no idea if it will actually work.

MY WIFE’S BODY

My wife arrived home from a trip to the beach on July the First. The next morning we had get home sex. She went to sleep afterwards but I got up and wrote the following poem.

I like the poem a lot but I am having difficulty naming it. I like these potential names/titles: Rich Everafter, Those Treasures Within, The Labors of Love, The Harvest of Human Labors, or Sweat of Our Love. 

If you have a preference among those or would like to make your own suggestion then feel free to do so. I look forward to reading your ideas.

Here is the poem. Let me know what you think, and what you would call it.

My wife’s body is naked and soft like broken ground
My wife’s body smells rich like fertile soil
My wife’s body is dark and moist like morning loam the restless Meander has watered at sunrise

I think that I shall plow her deeply again when she wakes and see what treasures within us both lie hid

Like the open fields of tended Pharos or the silty banks of the flooded Nile we shall suddenly sprout silver and salt and bare fecund Earth overflowing with milk and honey and blood dark wine and rampant wild oats and thus shall we feed ourselves a lifetime on the harvest of our human labors and the sweat of our love

My wife’s body is naked

My body is naked

Now shall we again labor in earnest, produce in abundance, and be rich everafter…

UNTOLD LAYERS

Untold layers of a man, say I

But three most vital and prime: Body, Mind, and Soul.

vitru_man_large

Of Body – movement, grace, strength, and sensation
Of Mind – craft, thought, apprehension, and creation
Of Soul – his inmost Self, Endurance, Honor, Truth, and Love

Untold layers of a man, say I

On Three All Other Things Depend

ON POETRY – TUESDAY’S TALE

Well, it ain’t really a Tale for Tuesday, but it is a tale about how you should tell what you can’t really tell when you try. Not in words, anyway…

ON POETRY

Poetry involves the minute manipulation of words in such a way that they are constantly and subtly altered in definition, either so that they take on a broader and more flexible implication than they have ever possessed before, or so that they take on a more narrow and peculiar resolution in terminology than they have ever before possessed.

Do this wisely and well and with patient and practiced craft and you will be considered a master of phrasing and sound, perhaps even possessed of real poetic genius. Do this sloppily or shoddily and in haste and without regard for the demands of true meaning in language and you will be considered a mere dilettante or perhaps even a hapless hack.

from my book, On Poetry

 

HARD THE HAMMERSMITH – FIRST VERSE

HARD THE HAMMERSMITH

I conceived of the idea for this poem about a week and a half ago but was unable to work on it due to other business and work demands. On Sunday night (the 26th of June) about an hour before the Game of Thrones finale I began work on it. It shall be a long, narrative poem with what I hope is an unanticipated and unusual conclusion, and a twisting storyline. At this point of course it is in its infancy and is far from complete.

Aside from being a long narrative poem I am also thinking very seriously of turning it into a Graphic Novel which will also serve as a de-facto manual on ancient Mnemonic Techniques. I am already sketching out possible illustrations or old woodcut designs for the Work.

Hope you enjoy it thus far.

 

HARD THE HAMMERSMITH

Hard the Hammersmith worked all day
Hard the Hammersmith would not say
What his toiling would produce
Or why he labored so profuse

Hard the Hammersmith worked all night
Hard the Hammersmith knew delight
For his hammers truly rang
Fire, metal, sturm und drang

Hard the Hammersmith took no rest
Hard the Hammersmith did his best
For he always set his task
Above whatever weakness asks

Hard the Hammersmith took no bread
Hard the Hammersmith shunned his bed
For the Work to which he bent
He would master, or be spent

Hard the Hammersmith took no drink
Hard the Hammersmith did not think
Yet on he drove himself to act
With anguish was his body wracked…

TO PORT OUR HOME, TO STARBOARD STILL UNKNOWN

I began this poem around noon as a response to today’s Daily Post prompt on Voyage. I got two stanzas in and then my daughters needed my help and then someone working with me on one of my start-ups demanded my attention and so therefore I have had to leave it at this point. I apologize but that kinda thing happens in life.

I intend to finish it but cannot do so at the moment. I hope you enjoy it nonetheless, and have a good day folks…

 

TO PORT OUR HOME, TO STARBOARD STILL UNKNOWN

To port was home, to starboard unknown foreign seas, and
Lands bespoken of in dream, where endless roam great beasts
Not seen since man was in the cradle of his mother’s shore
The stars still young and uncertain in their unfixed course
Across the skies of night still bright with constellated myth
Prodigious like the unseen figures which grappled in the dark
Around the moon’s white lantern in desperate search of a world
So new, so full of wonder, that no other home would do,
Not, at least, to the Daring

To port is home but on every other course the waves break
Upon a soil unsown with the tares and tears that common habit
Bestrew along the Earth we know so well by mundane states
Unchallenged in their broad decay and rush to ruin
Across the fields of ancient countries whose ground is salted
With the misery of crawling empires and rotting kingdoms
Made of man beneath the shadow of what is most foul within him
So old, so full of apathy, that no such home can seem true
Not, at least, to the Wise…

EMPTY

I was working on a short story when I happened across the Daily Post whose prompt-subject matter was Empty. Now I’ve had a lot of personal experience with Empty over the course of my life, both the good kind, and the bad kind. So I thought I’d make a post about that and turned out this poem at lunch. Hope you enjoy it.

Have a good day folks.

 

EMPTY

I once was empty, full of naught
By calculation, mind and thought

I once was empty, hollowed out
Melancholy, heart in doubt

I once was empty, fearless, cold
My fury made me endless bold

I once was empty, cast alone
It sharpened me so I was honed

I once was empty, bleak despair
My atmosphere a poisoned air

I once was empty, of myself
That was joy I could regale

I once was empty, God was gone
Why had He left me all alone?

I know of empty, made and true
I know of empty, me and you
I know of empty, blessed, good
I know of empty, as I should

For Empty is a Friend of mine
That gives me all, and then sometimes
Relieves me of all I have known
So I am ever forced to roam

In search of what is not…

So empty anymore.

THINGS LONG UNSEEN – FIRST VERSE

This morning, right after waking, I began this poem.

I wrote the first two stanzas in bed, in my bedside notebook, went downstairs, fed the animals, made breakfast for the wife and kids, and then sat down at my desk and hammered out the third stanza. It wasn’t hard. It flowed as if I had taken no break in between.

I started in on the fourth stanza which to me was absolutely brilliant (the best part of the entire work) and right as I got to the third line of the fourth stanza the power went out at the house, and for some reason my backup power fluctuated as well so that my computer shut down. By the time I rebooted I had lost the entire fourth stanza.

I tried reconstructing the stanza from memory but I was so pissed off and taken off guard by the unexpected power failure (why should that happen at the start of summer with not a cloud in the sky I ask you?) and by the delay in reboot time that I ended up producing a mere shadow of my original effort.

I’m still satisfied by the stanza, and the poem overall so far, and it is far from finished, but just to be honest the fourth stanza isn’t nearly what I produced the first time around. So I apologize for that. This is yet another valuable lesson in why I should never compose at my computer, but only in my notebooks.

Nevertheless I am pleased with the poem and when it is finally finished I suspect I will name it, Things Long Unseen.

That is, at least, the place-holder name I am giving it for now. Enjoy and have an excellent and productive and profitable week my friends.

 

THINGS LONG UNSEEN

I shall exceed all things, and having so excelled all things
Shall bow to me, not as brutish, mindless slaves but as one man
Instinctively declines his head to yet another in whom he recognizes
His equal.

The loss of me is not the less of me, and the lending of me
To another is no lack of either thing made true in itself,
For pushed on by High Labour where can I go but where
I am, and where I Am dwells a still fairer land than I may truly
Ever know, though God knows, how much I wish for such
Things long unseen

I shall excel all things, and having thus exceeded nothing
Shall bow to me, nor find an alien compass with which to navigate
That Long Frontier that I so long ago remembered in myself
Unequaled

The less of me is what is left of me, for the debt of me
To another is both the loss and gain in ourselves untrue,
Subsumed in Reckless Profits, destined where I know not that
We are, or when, or how, or why it is that we know these things
Improper in themselves, though we all know how much we wish for
Things Long unforeseen…

 

I WENT TO YOUR GRAVES

I WENT TO YOUR GRAVES

I went to your graves to speak with you dead
You answered with nary a sound, but
The echoes of stone, and the blood and the bones
Still in the air they redound
Someone must live, and someone must die
I’ve seen my share of those things, yet
You know them all well in your marrow and flesh
For the shroud is the shield that still clings
To the toil that you wore, to the deeds that you bore
To the future and past you present
When I see countrymen free, and the grass
Green overseas that otherwise death would have spent
If you could arise, recall how you died
Who then could discharge the debt?
That we owe in our souls, but don’t really know
In the war and the wound that beset
About you in harm, the wrong, the alarm
As you struggled the catch your last breath
Yet it fled far away, like your soul on that day
By demand, or command, or request,
What can I say, much less best relay
Of what your great efforts have earned?
You’ve written in blood, in anguish, in mud
We’ll honor, and then we’ll adjourn, oh
The tombs that we’ll build, of marble and steel
Carved with your names and your stars
Will pass with the times as the ages unwind
As you fade into memories afar, yet
The world that you built, the anger, the guilt
Of your blood on the altar of Mars
These will live on, and not just in song, but
In the hope and the home of my heart…

in memoriam, 2016

YEAH, THEY’LL DO THAT – FIRST VERSE

YEAH, THEY’LL DO THAT

She is a wonder of claw, fang, and hiss
Be careful if ever she growls
If she purrs first then mister
Something’s amiss
Something you missed or allowed,
But stroke her and feed her
And give her a kiss and tell her
That all will be well,
Rub her soft fur and play
With her tail
Until she is mended
And tame,
For my friend I must tell
That the end of this tale
Is ever and always the same

So if she complains
Come sun or come rain
Then just know
That her Nature excels, but
Other than that just what
Can you do?
For her nature
Is flighty as hell!

Oh, and also cats get that way
From time to time too…

THE RED TRACTOR – FIRST VERSE

A poem I began this weekend. I am usually not much for modern poetry but in this case I thought the juxtapositioning of that kind of poetry against the subject matter fit very well. I am also not posting the entire poem here as I intend to publish it.

THE RED TRACTOR

“Love demands infinitely less than friendship.”

                                                                                   George Jean Nathan

If I could admire a machine
As I admire a man it would be you
You were tough and you were strong, you did not relent
You were fit for tasks for which you were not
Designed and yet you mastered

*    *    *

One day I shall show my grandchildren the green and open
Fields we cleared and I shall say,

“Here we pushed back the frontier together,
he and I, my old friend. Here we hauled
and carried and labored and strained
and cut and leveled. This is because
we were as we were, and he was stalwart
and faltered not. I wish you could have
known him before the end, on the
border of what was wild forever we finally
made tame. What was chaos we ordered.
What was savage we made fit.”

And they will say,

“papa! it was only a tractor!

And I shall remember fully the fields we made, ground we claimed, land we
Tamed. Uncertain Earth we took foot by foot from the long dry summers and the
Shower soaked springs with restless toil. The memories shall return to me of how
I repaired you endlessly and with great effort and frustration,
And yet did you always abide…

BRAVE ANNA – FIRST VERSE

These are the lyrics of a song I began this past weekend. It is unfinished but I’m pleased with the start I made…

(painting: please see here – http://www.artbyfuentes.com/commissions/)

BRAVE ANNA

Brave Anna was fair
And thrice did she dare
To be with a man like I
I’d warn her away
Come night and come day,
I never asked her to die

Yet oh she would sing
Of all of the things
Our kisses, our embrace
Beloved
Of the sorrow she’d bring
Unless she could cling
To my heart, enlacing
Her love

Yes, Brave Anna was fair
And dark was her hair
It blew in the sea’s song-breeze
She’s laugh and she’d play
She’d lead me astray
So little was I at ease

Though how she would dance
Left nothing to chance
I was the captive
Not her
All the sorrow she’d bring
When the church bells would ring
Her passing to always
Recur

Brave Anna was bright
With her eyes did she spite
The doubts of a man like I
I’d wish her away
Though never she strayed
Thus did she end her life

Oh yes I would say
Both night and in day
I am a man of loss…

THE OLD STANDING STONES – FIRST VERSE

THE OLD STANDING STONES (Both Versions)

Last week I sat down and wrote a song that I had originally intended for my Bard (his name is Larmageon and he is Welsh) to sing in one of my novels, the Basilegate. As a sort of a lament, and a dirge. It was supposed to be a rather dark song about a myth of a submerged city off the coast of Ireland that rises every so often at midnight on Samhain and the city is populated by ancient dead warriors. It was a symbolic dirge of a supposedly lost song that the Bard then used to analogously lament what had happened to his friends. That is the first version of the song/poem you see below.

Thereafter I looked at the song and said to myself, “This really is close to an Irish/Welsh real myth and I should rewrite this song as a real world song or poem.” So I did using real Irish/Celt/Welsh place and symbolic names. That version, the second version, came out to be much brighter and more upbeat, but the tempo is changed slightly. By the way after the less well known Gaelic names or terms I included, in parentheses, the more original pronunciations, and their meanings.
I like both versions but the first is a far more generalized version written for an English audience and specifically for my book. The second version is really more of a throwback Irish mythological song.

So that being said, which do you like best?

Or do you think I should keep and use, perhaps for different purposes, both versions? Or does one version strike you as good and the other bad? Let me know what you think and anyone is welcome to comment.
_______________________________

THE OLD STANDING STONES (version 1)

The old standing stones
Where the ghosts all still roam
Below the Seas of Sarsa
Submerged neath the Mere
They all still come here
To haunt the tides of Current
The walls in the waves
The moon long enslaved
Both shine so like the Danaan
The People long passed
The present now past
Upon the Road of Waters
Formorian chants
Who sings of the chance
That tombs are remade Towers?
The barrows below
The streams that bestowed
The last Great Ship of Showern
To the old standing stones
Still guarding the road
Beneath the flood of Faran

Oh can you still hear
The chants and the cheers
When Chulainn took the Island?
And do you still dance
Or sing the Romance
Of the last men still left standing?

Submerged neath the waves
Deep waters their graves
The Green-men go a’feasting
The blue in their blood
The tides and the flood
Their numbers all decreasing
The stars brightly gleam
The moon often seen
To kiss the Ring of Rona
Yet still can you hear
If the night is all clear
The Lost Hope of Ilona
So tell me of old
Of the place far below
Of the dark halls deeply downing
Where the old standing stones
Still guard the last road
To the Hall of Sorrow’s Drowning…

________________________________

THE OLD STANDING STONES (version 2)

The old standing stones
Where the ghosts all still roam
Below the Seas of Saorla (Say-la – the noble queen)
Submerged neath the Mere
They all still come here
To haunt the tides of Cara (meaning, the friend)
The walls in the waves
The moon long enslaved
Both shine so like the Danaan

The People long past
The present now passed
Upon the Road of Una (Oo-nah, or Wony, meaning unity, or lamb)
Formorian chants
Who sings of the chance
That the tombs are to be Towers?

The barrows below
The streams that bestowed
The last Great Ship of Tara (tower, or crag)
To the old standing stones
Still guarding the road
Beneath the flood of Fallan (grandchild, or grandchild of the chieftain)

Oh can you still hear
The chants and the cheers
When Chulainn took the Island?
And do you still dance
Or sing the Romance
Of the last men still left standing?

Submerged neath the seas
Their limbs now at ease
The Gweneth men go feasting (Gweneth – fair or river men)
The blue in their blood
The tides and the flood
Their hall a loudly singing
The stars brightly gleam
The moon often seen
To kiss the Ring of Roise (roh-suh – a rose)
Yet still can you hear
If the night is all clear
The Last Hope of Isleena (Ish-leena – vision, the foretelling)
So tell me of old
Of the place far below
Of the dark halls deeply moaning
Where the old standing stones
Still abide all alone
In the Hall of Sorrow’s Gloaming…

THE WEIGHT OF THE WOMAN – FIRST VERSE

THE WEIGHT OF THE WOMAN

The weight of the woman
That the man waits to love
Bears on him deeply, and
Bares from above

The wait for that woman
Is a hard weight to bear
As long as he loves her
As long as he dares

He’ll carry within him
The state of her grace
The memories find him
The shape of her face

The scent of her clean flesh
The heat of her breasts
The curve of her mouth
As her lips on him rest

The twist of her hair
Her eyes looking up
He looking down
On her beauty to sup

Her breath soft and catching
Her smile as she takes
Her arms to enwrap him
In rapture to make

She stoops now to conquer
He rises to serve
The wait for the woman
Is what he observes

Yet the weight of that woman
Is a hard thing to bear
When his bed is all empty
For she is somewhere

Other than with him
When he wants her most
For nothing between them
Is worthy of boast

Though everything honored
Is ne’er surely lost
For the wait on the woman
Is the weight of the cost…

Alternate ending:

So he waits on the woman
Even if lost
For the wait for the woman
Is the weight of the cost

________________________________________________

This is a new poem I wrote this past weekend while lying in bed. It has a sister or companion poem that I wrote about the same time called The Deep Well, or Woman is a Deep Well.

Both shall go in my new book of poetry.

IN ABSENTIA

IN ABSENTIA

The Courage of the West has failed
Her baser instincts flowered all
Cowardice does now prevail
To reckless seek the servile call

The High Mind of the West is dead
The public rules the Wiser Man
Clamor drowns with fearful dread
The people swoon when tyrants stand

The Sick Heart of the West is ripe
To be grasped in iron grips
By slavish kings, corrupted queens
En-masse it beats, demanded ships

The Lost Soul of the West is held
In graves and chains of government
Shackled like a beast expelled
From hearth and home, forgotten, spent

Prior Wisdom, where are you?
You know what comes, you see this sure
History, you tell us true
The past is future, undemured

Manhood, where do you now lurk?
Subservient to serpent crowns
Truth and Justice – how you lurch
In naked marches to the hounds

Free Men to their “betters” bent
Eager in their fealty sworn
Machines await, infernal sent
Revolt that banner burnt and torn

Honor come not to this land
It is bleak and stained with fear
Dismissed as coin what value can
You hold for men who hold naught dear?

The Courage of the West has sunk
Beneath the Twilight of Our Times
Monsters have arisen thus
The Dawn of Morrow has resigned

I wish that I could say to you
That one man in a million lives
Yet I see no certain clues
I cannot to you such hope give

In absentia of ourselves…

BETWEEN – FIRST VERSE

This is a song (well, the lyrics anyway) I wrote over this past weekend. It includes two neologisms as part of the lyric set.

 

BETWEEN

Between the fire and the flood
Between the mire and the mud
Between the briar and the blood
There is no other one like you

I’ve been a million empty miles
I’ve seen a million other smiles
Still there are no other wiles
That work upon me like you do

I wish that I could get away
I wish that you were here today
What else can I say?
It’s all a lie, and yet all true

Between the fire and the flood
Between the why not and the was
Between the bire and the bud *
A flower grows in barren soil

You know we never were complete
Until we could admit defeat
All that time we let retreat –
The labor and the toil

I wish that I could get away
I wish that you would ever stay
What else is there left to say?
These alibies will never do

Yet still the ember burns
Yet still the pages turn
And yet still the ground is churned
Can that all just be for me?
Or is that all because of you?

One day our world will come
One day the depths will plumb
Whatever’s left will sum
So that both of us will see –
Between the fire and the flood
Between the mire and the mud
Between the byer and the blood ^
They’ll be you
And they’ll be me…

* bire – the well-worn path by which one goes to visit the grave of a deceased loved one, or one that one regularly treads in the expectation or hope of seeing something or someone previously lost or disappeared. Similar to a bierbalk but one walks this path with the expectation that one will see the dead one again. Path of Resurrection.

^ byer – one who says goodbye, but only temporarily. Also a seemingly coincidental occurrence but one suggesting a definite but unseen cause, “by the byer.”

THE TOWER ABOVE

THE TOWER ABOVE

The Tower above, the Earth below
I wandered the world, desiring to know
Where in my heart the frontier did lay
In the sky or the sea, in the night or the day?

Mountains I climbed, Life did I track
Waters I sailed, then sailed them right back
Sands in my hands ran through my fingers
What should I fear, where was the danger?

I’d live forever, forever a boy
Time everlasting, endless and cloy
The sun burned me brown, moon cooled my mind
The stars they did glisten, by God so designed
Happy was nothing – I was Alive!
The world was my oyster, of nothing deprived
Before I was man, I was a boy
Everything Holy, the Hope and the Joy

Fish splashed the clear streams, hawks roamed the air
I could lay in the green grass and anything dare
Nothing was memory, all was yet new
Impossibly certain was all that I knew
Hero I was in the depths of my soul
Adventure and gamble was all I did know
The past hadn’t happened, the future a dream
The present was ever, or so did it seem

The Tower above me, the Earth down below
I’d climb to the crown, how most apropos
For why should I care, the sun never sets
Upon the heart of the boy who will never relent

But I’ve climbed and I’ve climbed and I’ve climbed all my life
I’ve climbed in the cold, and I’ve climbed through the strife
I’ve climbed in the heat, through the dark and the death
I’ve climbed when impelled, and I’ve climbed without rest
I’ve climbed when determined, and when suffering lack
For I’m far too high now and cannot go back
Though the summit is still such a lifetime away
I doubt I can reach it, at least not this way

My hands cut and bloodied, my footing unsure
I question my efforts, my motives obscure
Yet sometimes when weary, I’ll glance far below
To see that young boy with his whole life to sow
And I wonder if warnings might cause him to stop
To stay in his valley, not climb to the top
For I want to just tell him, “The climb never ends,
Stay where you are boy, you can’t comprehend…”

But I see him look upwards, take hold of the stones
And I know that he’ll climb where he must all alone

For the Tower above us, a siren it sings
To the boy down below us who of towers still dreams…

DARK SONG – FIRST VERSE

These are lyrics from an unfinished song I began last week. It’s my First Verse entry for today.

DARK SONG

There’s a dark song in my soul right now
And I can’t shake it anyway,
Might as well just sing along,
See where it goes

Well, there’s a dark song
I hear it on the wind

There’s a dark song
Where are we going?

Can we ever make amends?

Well, I don’t know this road no more
But I know it’s me

Where are we going anyhow?
What do you want me to see?

There’s a dark song in my soul right now
I can hear it far away
I’ve known, I’ve known it all along
We’re on the same road

But to where?

Just tell me that…

To where?

DON’T DIE

I’ve had a series of serious personal problems to deal with lately (floods and storms in SC that damaged my house, my daughter was struck by a – probably drunk – hit and run driver who totaled her car, etc.) which I’ll explain in detail later on. Everyone is okay but the house is damaged and my daughter’s car was destroyed. Anyway that has prevented me working properly (I’ve been putting out fires and settling insurance claims) and has delayed me blogging.

Night before last however, for the first time in weeks I was able to work uninterrupted and I started three songs and wrote a piece of flash fiction. So here is part of a song I started two nights ago called Don’t Die. It is unfinished but I got pretty far along on it.

 

DON’T DIE

Don’t die in the leaving son
Don’t die at the dawn
Don’t die in the coming home
Don’t die while you’re gone

There’s a long, long way between here and there
There’s a short step between the night and grave
I wish I could tell you differently son
But that’s just the way the world is made

I went out when I was young, so deep into the dark
I saw things there I didn’t want, things so sharp and hard
I wish I could tell ya differently son
But believe me when I tell you now, I got the scars

Careful where you go now son
Careful when you’re coming back
Go there when there’s no one else
Go there when you can’t be tracked

Oh, the things I’d show you if you’d see
How far away from everything
How very close to me

Don’t die in the leaving son
Don’t die in the dusk
Don’t die in your wand’ring round
Just do what you must

And come back
Yeah come back,
Come back to me…

FOREIGN LANDS – FIRST VERSE

FOREIGN LANDS

The old things and the new things
You think they’re not the same
And yet they both are constant
And yet they both remain
A measure of the manner
By which all things are made
When more or less the answer
Is the last place that we laid
Our hearts upon the altar
Our flesh in foreign lands,
Our souls a’drift through nowhere
So we could not understand

Chorus

Oh come and see us stranger
Oh come to see us friends
You’ll find us at the end of things
The place we all begin,

Home is endless miles away
Though always where we are
We started out for paradise
But never got that far…

______________________________________________

This is a new song I began over the weekend. It is not yet completed, I just started on it.

THE LAST ONES

I offer this as my submission for the National Poetry Day. I am now at work on my fifth book of poetry.

THE LAST ONES

The cold that the last man mentioned
Before he bled away
The soul that the last child ventured
Because he could not stay,
The bones that the last girl offered
As her flesh was sold
The heart of the last babe slaughtered
As it beat beyond all hope,

I’d tell you of their endings
If I thought you’d care
I’d tell you of their wendings
Of all the things they’d dare,

I’d tell you of their Image
Holy and Divine
I’d tell you that their fortunes
Were just as great as mine,

Yet somehow we have failed them
Deeply in our selves
Discarded like a useless limb
Cast off and then expelled,

The smile of the fair sex faded
Frown of the end within
The wiles of the dead folk fêted
Crown of the ceaseless sin,
The eyes of the masses hollow
Febrile, sick, and stale
The lies of the empty follow
Beguiling, sure as hell,

I’d tell you the last one lingers
If I thought you’d see
I’d tell you “deeply listen”
Though you would not accede,

I’d tell you of your Nature
Made apparent in your acts
I’d show you well, and show you sure
That no man is abstract,
Yet somehow death entails you
Your hearts are all of stone
Lifeless are the last of you
So soulless and alone…

THE RAINS OF THE SATRAPS OF PERSIA – FIRST VERSE

THE RAINS TO COME

This morning I awoke to a veritable deluge. After feeding the animals I sat down and watched the heavy rains fall. Something became triggered in my mind. About modern people, about the past, about how nothing is ever really learned, and still the Rains fall as they have ever fallen. And so do people, and nations… The storms always come and yet so few ever are prepared.

I just started it and then my wife interrupted me so I had to leave off. So it is unfinished, of course, but then again, what isn’t…?

THE RAINS OF THE SATRAPS OF PERSIA

This storm is like the rains of the satraps of Persia
Grey and harsh, heavy and burdensome, slavish and cold
Unrelenting does it fall across the broad expanse
Of a slumbering world blind and dumb in its naïveté –
Of unnumbered peoples in distant and yet unconquered lands
Eternally preoccupied in their basic self-absorption

Yet still the rains of the satraps of Persia drop countless
Flooding tokens of their weight, their true intent lost among
The Forgetful Minds of Men distracted by the unmarked cenotaphs
Of daily Life, though they have seen no sun in many years…

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other lines I’ve yet to work in:

No clear moon in decades now

The Reign of the Satraps of Persia
Time forgets nothing, though men forget everything
Except to remember what befalls when they don’t…

THE DARK ROAD – FIRST VERSE

It has been awhile since I’ve posted a set of my song lyrics. I’ve been so busy with my two start-ups and my novel that I’ve had very little time to write any new songs. But here is part of one I recently started for Halloween and which I like. It is unfinished as at the moment I am pressed for time…

DARK ROAD

There’s a dark road through the old woods
Ain’t never lost a man they say
But if a man can’t find his soul
He’d best just go another way

The witches ride the moon each night
The snakes they slide the mud
What can’t be seen hides in your sight
Like shadows in your blood

A cabin green with moss and things
That no man seems to know
Creeping up the hidden graves
Those dead things from below

Well it’s a Dark Road
A Dark Road that men don’t know
A Dark Road, no road above but down below
There’s a Dark Road,
You can find me there
If you ever dare –
No way back through the poisoned air
Or the black despair
Of the Dark Road,
Oh you just don’t know
Where ya gonna go
On the Dark Road

HARBINGER’S KEY – FIRST VERSE

HARBINGER’S KEY

The Wolf Winds howl on the March to the East
The Blood runs red at the Gathering Feast
The Young Men sing of the Slavering Beast
And the Old Men moan, “Where is our Peace?”

The Monstrous Scale as empty as Death
Measures the Nothing hung over the West
That labors like Murder to steal every Breath
From everything Living, the cursed and the Blessed

High in the Mountains, deep in the Sea
Something is stirring, Horrors set Free
To Harass and to Harrow as if by Decree
The Marrow in Man Bones, Harbinger’s Key

Hid in the Old Dark biding his Time
Lurks the Great Creature stuck in his Limes
His hatred his Quickstone to hasten his Climb
The Day soon approaches, Ruin his Rhyme

But deeper than Old Darks, great in his Weight
Diseased of his own rot, an Absolute Fate
Hatred is small match for his Poisoned Date
Swollen and bloated he waits at the Gates

The Dawns will all soon fall away without Light
The Strong will all tremble even the Night
For Old Dark and Unknown will rise in their Might
To obscure the Pale Earth from even God’s sight

Men think they know Evil but Evil is Young
Of Far Older Powers still songs can be Sung
For These are Approaching, Chieftains Among
The Slayers of Futures that Silence All Tongues…

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An unfinished poem I began for Halloween. It will go into one of my books of poetry.

THE NIGHT THAT THE KNIGHT CURSED EVIL – HIGHMOOT

THE NIGHT THAT THE KNIGHT CURSED EVIL

(A Poetic Meditation Upon America)

The Night that the Knight cursed evil a wondrous thing began
Men who once had cowered, together they did band
Beneath the Lonely Banner of the Knight who cursed the wrong
Once they had just whispered, now they sang his song

The High Lords and the Ladies corrupt upon their thrones
Had laughed to hear such curses when the Knight was all alone
Though when his profane blood-oaths thundered through the folk
Fury rose among them, with the tyrant’s whip and yoke

“Bring us now New Vows from him, make him swear to us!”
Shouted Lords and Ladies, roused now in their lust

Yet the Knight who cursed the evil would not bend to threat
Their embassies he spat upon, then harangued them ‘til they sweat

Then the High Lords and the Ladies began to see the Truth
That the Knight who cursed the Evil was fearless now forsooth!

And still the People rallied, hot now in the land,
The Knight who cursed the Evil gave heart for them to stand

“Send us an Assassin, experienced in crime,”
Said the Lords and Ladies, “to kill him ‘fore his time!”

So the black assassin crept upon the Knight
As he cursed the Evil in the shadows of the night
Yet darkness did betray him as he sought to strike
For the Knight who cursed the Evil caught him in the Light

A struggle hard and fearsome did they both attend
Blood in all directions, wounds as deep as sin
Finally the combat wound down to the Will
When the Knight triumphant the spent assassin killed

He took the ‘ssassins blood-stained blade with the warrant he
had wrecked,
Then sent it to the waiting Lords in scribbled hand,
“You’re next!”

___________________________________________________________

Yesterday I took a little nap because last weekend I contracted poison oak, or maybe sumac. It’s been miserable and I hoped to speed the healing and reduce the itch with a nap.

Anyway I awoke with this poem/song running through my kind. I had to go and take an immediate shower because the itching was so bad and in the shower I composed the rest of the sections above in my head.

Then I got out and wrote out what i had composed. It is still unfinished of course though I already have the entire poem sketched out in my head and some other sections are worked out, such as:

“Your silence speaks to your intent more surely than your pleas
For action is the pledge of life, not promises like these
If you’re determined stand your ground, if not I know you well,
Passive is the heartless man, and icy is his hell…”

AS I GO – FIRST VERSE

AS I GO…

I became what I wrote
When I knew that I did
But I learned what I didn’t
When I showed what I hid,
Yes I mastered by doing
And not by the knot
That twisted I shouldn’t
Into what I forgot,
Yes I wrote what I was
But became what I wrote
And not just because
The words were the notes,
For I knew that I knew
And I learned what I did –
That my limits were lesser
The less that I hid,

Now I can’t say forever
That forever I’ll know
But I can say with pleasure
What I know I can show,
For time works a wonder
By passing along
What’s learned in the measure
What’s right and what’s wrong,
For often you find
That you thought that you knew
But by doing again
You discover it new,
So when men ask me why
I repeat what I know
I tell them I didn’t
But I’ll learn as I go…